open source audio identification
MusicBrainz recording
Pressure
Stereo MC’s
3:51
3edc2bb7-93b0-414f-90f6-926c6e103f8b
View on MusicBrainz →
AcoustIDs
9
linked to this recording
Submissions
794
linking them to it
Fingerprints
32
distinct audio files
Duration
3:48–3:59
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | |||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
679441ea-4f5f-4ee3-92c8-fff2288fbe2a
Also linked to
Pressure by Stereo MCs, Connected (Edit) by Stereo MCs
|
4 | 3:49–3:51 | ||||||||||||||||||||||||||||
|
Recordings linked to A
|
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| B | 17c4f691-576b-4840-9b98-5ed37e14119e | 1 | 3:59 | ||||||||||||||||||||||||||||
| C | 5ba14bc6-dd71-4d55-a76a-a667e01414f5 | 6 | 3:51–3:53 | ||||||||||||||||||||||||||||
|
Recordings linked to C
|
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| D |
0343a4e1-a8f6-4f9e-9a63-800a95fc21ac
Also linked to
Momentos by Andrea Bocelli, Giving It All Away by Leo Sayer
|
1 | 3:51 | ||||||||||||||||||||||||||||
|
Recordings linked to D
|
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| E |
09bcdd63-9ff5-40ac-b892-c217292ac1f0
Also linked to
La cantina by Antonello Venditti, La cantina by Antonello Venditti
|
7 | 3:49–3:52 | ||||||||||||||||||||||||||||
|
Recordings linked to E
|
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| F |
d4690a02-c8cb-4c19-86ad-efc4ec95f5c5
Also linked to
Reach Out (I'll Be There) by Average White Band, Giving It All Away by Leo Sayer
|
9 | 3:51–3:54 | ||||||||||||||||||||||||||||
|
Recordings linked to F
|
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| G |
344f86ab-74d5-49ee-ac0a-8b06d62cfbf0
Also linked to
I Wanna Be Loved by Average White Band feat. Daryl Hall
|
1 | 3:48 | ||||||||||||||||||||||||||||
|
Recordings linked to G
|
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| H |
9fabed6d-33f7-4a5a-91c9-0fa3489afcab
Also linked to
Duck and Run (live) by 3 Doors Down, Loser (acoustic) by 3 Doors Down and
|
2 | 3:49 | ||||||||||||||||||||||||||||
|
Recordings linked to H
|
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| I | 76376bed-55b1-48ef-a278-a6f0af2e2aba | 1 | 3:50 | ||||||||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | I | |
|---|---|---|---|---|---|---|---|---|---|
| A | — | 0.87 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| B | 0.87 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| C | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| D | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| E | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 |
| F | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 |
| G | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 |
| H | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 |
| I | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — |