open source audio identification
MusicBrainz recording
Don’t Let Me Down
The Beatles
4:08
3e732a4f-09af-4ee3-9a32-9e1e04c2e911
View on MusicBrainz →
AcoustIDs
8
linked to this recording
Submissions
97
linking them to it
Fingerprints
32
distinct audio files
Duration
4:05–4:29
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | ||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
4f625f3a-4244-450a-a9b4-85dce67bee98
Also linked to
Don’t Let Me Down by The Beatles, Don't Let Me Down by The Beatles and
|
11 | 4:05–4:12 | |||||||||||||||||||||||||||||||||
|
Recordings linked to A
|
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| B |
42827240-a8f6-482d-a7d4-b9cf4f1b49e8
Also linked to
Don't Let Me Down by The Beatles, Don't Let Me Down by The Beatles and
|
2 | 4:09–4:11 | |||||||||||||||||||||||||||||||||
|
Recordings linked to B
|
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| C |
b5915f6d-20e9-4520-83df-820cdbed8d9f
Also linked to
Teddy Boy (bonus track - Brown/Spector) by The Beatles, Don’t Let Me Down by The Beatles and
|
3 | 4:20–4:24 | |||||||||||||||||||||||||||||||||
|
Recordings linked to C
|
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| D | e0edf558-7533-4fd0-af2a-cf46639e53e1 | 1 | 4:29 | |||||||||||||||||||||||||||||||||
| E |
1aae8f62-691f-4cb1-8292-bff2d7987857
Also linked to
Don't Let Me Down by The Beatles, Let It Be (take 23) by The Beatles and
|
2 | 4:16 | |||||||||||||||||||||||||||||||||
|
Recordings linked to E
|
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| F |
e69896df-4ec1-4810-86b8-87dd07ba87ce
Also linked to
Don't Let Me Down 7.122 by The Beatles
|
1 | 4:20 | |||||||||||||||||||||||||||||||||
|
Recordings linked to F
|
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| G | e601f1de-d563-4798-aef0-f01f609c5ec1 | 11 | 4:11–4:16 | |||||||||||||||||||||||||||||||||
|
Recordings linked to G
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| H |
d1455ff0-b9fa-4587-9953-6b479db3c2c7
Also linked to
Don't Let Me Down by The Beatles, Don't Let Me Down 6.65 by The Beatles and
|
1 | 4:05 | |||||||||||||||||||||||||||||||||
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Recordings linked to H
|
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Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | |
|---|---|---|---|---|---|---|---|---|
| A | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| B | 0.00 | — | 0.44 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| C | 0.00 | 0.44 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| D | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 |
| E | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 |
| F | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 |
| G | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 |
| H | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — |