open source audio identification
MusicBrainz recording
Borderline
Chris de Burgh
4:35
3e5d61a0-bb3b-481a-80ad-beb284a1569e
View on MusicBrainz →
AcoustIDs
12
linked to this recording
Submissions
1,507
linking them to it
Fingerprints
44
distinct audio files
Duration
4:25–5:08
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | ||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
277ed4cd-a410-4a1e-a92e-cd66d0842545
Also linked to
Borderline by Buckcherry, Borderline by Chris de Burgh and
|
18 | 4:33–4:40 | |||||||||||||||||||||||
|
Recordings linked to A
|
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| B |
a4295f22-9431-42a3-b0e6-69f0b7fb4876
Also linked to
Borderline by Chris de Burgh, Borderline by Chris de Burgh
|
4 | 4:30–4:32 | |||||||||||||||||||||||
|
Recordings linked to B
|
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| C | 3883d09e-1af7-408a-99d4-a6c8c9112f28 | 5 | 4:40–4:42 | |||||||||||||||||||||||
| D |
3449f864-4910-4710-bd1e-ec2f47759349
Also linked to
Borderline by Buckcherry
|
5 | 4:25–4:27 | |||||||||||||||||||||||
|
Recordings linked to D
|
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| E | cd884b05-f453-4cba-837f-dbf35ca90698 | 2 | 4:35–4:39 | |||||||||||||||||||||||
| F | 1990dc6d-e52f-48af-8479-689c8c4ae22b | 1 | 4:34 | |||||||||||||||||||||||
| G | 428a14f9-0ecc-4a41-ac98-a1c98e38ef00 | 1 | 4:33 | |||||||||||||||||||||||
| H | 9267b128-2153-47d6-b233-9e8c48fb8ae2 | 1 | 4:51 | |||||||||||||||||||||||
| I | 7a6565b9-2a3f-4e03-b28d-e1b3a284c7d4 | 1 | 4:39 | |||||||||||||||||||||||
| J |
3531451d-a207-4248-be4f-79db237d510e
Also linked to
Borderline by Chris de Burgh, Borderline (live) by Chris de Burgh
|
3 | 4:51–4:54 | |||||||||||||||||||||||
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Recordings linked to J
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| K |
a8e67dc1-e8a2-4de4-a03b-89b42e247096
Also linked to
Borderline by Belgrade Philharmonic Orchestra
|
2 | 4:39 | |||||||||||||||||||||||
|
Recordings linked to K
|
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| L | 9e0116f0-6d54-4a5c-9af3-8caaad7f6dea | 1 | 5:08 | |||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | I | J | K | L | |
|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A | — | 0.99 | 0.77 | 0.00 | 0.59 | 0.00 | 0.12 | 0.74 | 0.00 | 0.00 | 0.00 | 0.94 |
| B | 0.99 | — | 0.77 | 0.00 | 0.59 | 0.00 | 0.12 | 0.74 | 0.00 | 0.00 | 0.00 | 0.94 |
| C | 0.77 | 0.77 | — | 0.00 | 0.72 | 0.00 | 0.10 | 0.69 | 0.00 | 0.00 | 0.00 | 0.77 |
| D | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| E | 0.59 | 0.59 | 0.72 | 0.00 | — | 0.00 | 0.05 | 0.57 | 0.00 | 0.00 | 0.00 | 0.59 |
| F | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| G | 0.12 | 0.12 | 0.10 | 0.00 | 0.05 | 0.00 | — | 0.09 | 0.00 | 0.00 | 0.00 | 0.11 |
| H | 0.74 | 0.74 | 0.69 | 0.00 | 0.57 | 0.00 | 0.09 | — | 0.00 | 0.00 | 0.00 | 0.77 |
| I | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 |
| J | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 |
| K | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 |
| L | 0.94 | 0.94 | 0.77 | 0.00 | 0.59 | 0.00 | 0.11 | 0.77 | 0.00 | 0.00 | 0.00 | — |