MusicBrainz recording
One After 909
The Beatles
1:25
3dff69de-1a51-4be1-8e28-14fd58d519f2
View on MusicBrainz →
AcoustIDs
8
linked to this recording
Submissions
53
linking them to it
Fingerprints
24
distinct audio files
Duration
1:18–1:35
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | ||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
3ab05ab1-0438-4f84-9313-7ac0045da85f
Also linked to
One After 909 (1960) by The Beatles, The One After 909 (take 4) by The Beatles
|
6 | 1:26–1:31 | |||||||||||||||||||||||||||||||||
|
Recordings linked to A
|
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| B |
6e2611db-3c01-4c99-ab14-ed7825cab53f
Also linked to
One After 909 by The Beatles
|
1 | 1:31 | |||||||||||||||||||||||||||||||||
|
Recordings linked to B
|
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| C |
3280d62a-a27d-41b5-b9e1-5d1e2be4b3ec
Also linked to
One After 909 by The Beatles
|
3 | 1:18–1:20 | |||||||||||||||||||||||||||||||||
|
Recordings linked to C
|
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| D |
56c5355b-4588-4bce-93d4-f00a709ca8e6
Also linked to
One After 909 (version 2) by The Quarrymen, One After 909 by The Beatles
|
7 | 1:28–1:32 | |||||||||||||||||||||||||||||||||
|
Recordings linked to D
|
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| E |
4f5cc85f-ac30-41ec-a7fa-719ea28713c4
Also linked to
One After 909 by The Beatles, One After 909 by The Beatles and
|
2 | 1:30 | |||||||||||||||||||||||||||||||||
|
Recordings linked to E
|
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| F |
77ed08b0-747d-486e-99db-746d6c611e88
Also linked to
I, Me, Mine by The Beatles, One After 909 by The Beatles and
|
2 | 1:33 | |||||||||||||||||||||||||||||||||
|
Recordings linked to F
|
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| G |
656fdced-1a17-4824-988c-e8a6251e3957
Also linked to
One After 909 7.109 by The Beatles
|
1 | 1:23 | |||||||||||||||||||||||||||||||||
|
Recordings linked to G
|
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| H |
5db82b3f-3fc2-401c-8248-02b4229da966
Also linked to
One After 909 28.52 by The Beatles
|
2 | 1:35 | |||||||||||||||||||||||||||||||||
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Recordings linked to H
|
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Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | |
|---|---|---|---|---|---|---|---|---|
| A | — | 0.00 | 0.00 | 0.70 | 0.00 | 0.00 | 0.00 | 0.00 |
| B | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| C | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| D | 0.70 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 |
| E | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 |
| F | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 |
| G | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 |
| H | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — |