open source audio identification
MusicBrainz recording
China Roses
Enya
4:40
3ce14282-0188-470f-bd11-1f242f2dfa7f
View on MusicBrainz →
AcoustIDs
9
linked to this recording
Submissions
1,138
linking them to it
Fingerprints
37
distinct audio files
Duration
4:19–4:59
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | ||||||||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
e142f882-1e33-4a50-9f40-ff61b34f2714
Also linked to
China Roses by Enya, China Roses by Enya and
|
10 | 4:38–4:44 | |||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to A
|
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| B |
3b834f70-4cfd-40cf-a4e6-1d1f40e93d14
Also linked to
China Roses by Enya, China Roses by Enya and
|
5 | 4:40–4:47 | |||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to B
|
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| C |
4f167a29-1428-40bf-95a1-60d0d845ee46
Also linked to
China Roses by Enya, China Roses by Enya and
|
11 | 4:46–4:50 | |||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to C
|
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| D |
a53a1a64-065b-4e52-b154-0c64ac0ccfee
Also linked to
China Roses by Enya
|
2 | 4:28–4:31 | |||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to D
|
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| E | f3dc4629-631e-4060-a3c2-1a69a3bbb31a | 2 | 4:39–4:40 | |||||||||||||||||||||||||||||||||||||||||||
| F | 4a6250be-36b3-4e3e-b3ca-3810d2700615 | 2 | 4:19–4:26 | |||||||||||||||||||||||||||||||||||||||||||
| G |
456fe032-4e55-4484-a600-bba255a4b766
Also linked to
China Roses by [unknown]
|
2 | 4:23 | |||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to G
|
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| H |
3422d7de-cead-4035-8a65-8d51b5f8ab3d
Also linked to
China Roses by Enya
|
2 | 4:54–4:59 | |||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to H
|
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| I | 9a6e7367-9a36-4491-a02d-0cf4114c0d16 | 1 | 4:39 | |||||||||||||||||||||||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | I | |
|---|---|---|---|---|---|---|---|---|---|
| A | — | 0.90 | 0.91 | 0.86 | 0.00 | 0.87 | 0.00 | 0.87 | 0.00 |
| B | 0.90 | — | 0.98 | 0.91 | 0.00 | 0.90 | 0.00 | 0.89 | 0.00 |
| C | 0.91 | 0.98 | — | 0.89 | 0.00 | 0.88 | 0.00 | 0.88 | 0.00 |
| D | 0.86 | 0.91 | 0.89 | — | 0.00 | 0.92 | 0.00 | 0.96 | 0.00 |
| E | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 |
| F | 0.87 | 0.90 | 0.88 | 0.92 | 0.00 | — | 0.00 | 0.92 | 0.00 |
| G | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 |
| H | 0.87 | 0.89 | 0.88 | 0.96 | 0.00 | 0.92 | 0.00 | — | 0.00 |
| I | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — |