MusicBrainz recording
Just Like Tom Thumb's Blues
Bob Dylan
live
3cd05a86-c07d-44af-a3b6-9067538d6df3
View on MusicBrainz →
AcoustIDs
6
linked to this recording
Submissions
83
linking them to it
Fingerprints
36
distinct audio files
Duration
5:26–6:51
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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| A |
f5eddffc-1ee5-4fdb-b369-d91b6d43cd74
Also linked to
Just Like Tom Thumb’s Blues by Bob Dylan, Just Like Tom Thumb's Blues by Bob Dylan and
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3 | 6:50–6:51 | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to A
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| B |
dd341e57-aae0-4bf7-92d1-fa6f65f523c9
Also linked to
Just Like Tom Thumb's Blues by Bob Dylan, Just Like Tom Thumb's Blues by Bob Dylan and
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2 | 6:02 | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to B
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| C |
7c77919f-80ca-493c-9714-b5e1ec7f200a
Also linked to
Just Like Tom Thumb's Blues by Bob Dylan, Just Like Tom Thumb's Blues by Bob Dylan and
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7 | 5:34–5:40 | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to C
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| D |
1ba0be99-0664-454f-a4c1-1ff5569cd49d
Also linked to
Just Like Tom Thumb’s Blues by Bob Dylan, Just Like Tom Thumb's Blues (studio: 1965-08-02) by Bob Dylan and
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2 | 6:19–6:20 | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to D
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| E |
6f0bb278-c364-41ba-9f86-6125bcaf2446
Also linked to
I Don't Believe You (She Acts Like We Never Have Met) by Bob Dylan, Just Like a Woman by Bob Dylan and
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2 | 5:43–5:44 | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to E
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| F |
ff461c4f-4012-4f77-9236-208156df4556
Also linked to
Just Like Tom Thumb’s Blues by Bob Dylan, Just Like Tom Thumb’s Blues by Bob Dylan and
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20 | 5:26–5:33 | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to F
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Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.