MusicBrainz recording
Gone Gone Gone
The Everly Brothers
2:04
3cbdad73-64ba-43ad-b4c4-3efdb903fa38
View on MusicBrainz →
AcoustIDs
4
linked to this recording
Submissions
71
linking them to it
Fingerprints
24
distinct audio files
Duration
2:01–2:24
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
95a4766c-cd82-4624-9493-a782493b3b15
Also linked to
Gone, Gone, Gone by The Everly Brothers, Gone, Gone, Gone by The Everly Brothers and
|
4 | 2:01–2:04 | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to A
|
||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| B |
8d14822c-b1a2-42fd-b362-543633c0ebea
Also linked to
Gone Gone Gone by The Everly Brothers, Gone, Gone, Gone by The Everly Brothers and
|
12 | 2:02–2:06 | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to B
|
||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| C |
17e5a371-42f0-4633-9ab4-9bf03c7edf32
Also linked to
Nancy’s Minuet (#1) (take 28) by The Everly Brothers, Nancy’s Minuet by The Everly Brothers and
|
4 | 2:22–2:24 | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to C
|
||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| D |
94c9ef88-0093-4a52-9dec-605f5b86434c
Also linked to
Gone, Gone, Gone by The Everly Brothers, Gone, Gone, Gone by The Everly Brothers and
|
4 | 2:02–2:07 | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to D
|
||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.