MusicBrainz recording
Pledging My Time
Bob Dylan
3:50
stereo remix #3
3b4db501-0b1d-4d91-a6ee-f82eb5dca2ed
View on MusicBrainz →
AcoustIDs
7
linked to this recording
Submissions
92
linking them to it
Fingerprints
31
distinct audio files
Duration
3:41–3:53
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | |||||||||||||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
305b7bb4-e778-4327-9518-c9d0f96872e6
Also linked to
Pledging My Time by Bob Dylan, Pledging My Time by Bob Dylan and
|
11 | 3:48–3:50 | ||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to A
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| B |
de8a179b-88e8-4b0a-ab0e-9455d3fe6bff
Also linked to
Pledging My Time by Bob Dylan, Pledging My Time by Bob Dylan and
|
6 | 3:44–3:49 | ||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to B
|
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| C |
8f94cc1d-6988-4fac-a26c-843bc605fc00
Also linked to
Pledging My Time by Bob Dylan, Pledging My Time by Bob Dylan and
|
8 | 3:46–3:50 | ||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to C
|
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| D | aef925ef-24b8-4c57-9aed-9f7933af7c8a | 1 | 3:52 | ||||||||||||||||||||||||||||||||||||||||||||||||
| E |
7bb0b9b7-7943-42d4-bff6-8779f332e834
Also linked to
Pledging My Time by Bob Dylan, Pledging My Time (5.1 mix) by Bob Dylan
|
3 | 3:53 | ||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to E
|
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| F | 6dc90715-7727-44c1-a4cb-c0bc799f9723 | 1 | 3:52 | ||||||||||||||||||||||||||||||||||||||||||||||||
| G |
c3f660a9-5eb1-495d-9aa2-8e0105bf54cc
Also linked to
Pledging My Time by Bob Dylan, Pledging My Time by Bob Dylan and
|
1 | 3:41 | ||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to G
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Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.