open source audio identification
MusicBrainz recording
You Sang to Me (radio edit)
Marc Anthony
3:51
3b366c90-cb54-4716-a1bd-62e4a202789a
View on MusicBrainz →
AcoustIDs
11
linked to this recording
Submissions
732
linking them to it
Fingerprints
34
distinct audio files
Duration
3:46–5:53
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | |||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
587d5979-da19-44b5-88d7-b1836274f28a
Also linked to
Muy dentro de mí (You Sang to Me) (Spanglish) by Marc Anthony
|
10 | 3:49–3:53 | ||||||||||||||||||||||||||||
|
Recordings linked to A
|
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| B | 3237c12e-8b0a-4fd1-958a-da941c18996f | 3 | 3:47–3:50 | ||||||||||||||||||||||||||||
| C |
75a975fb-ab89-44f5-a816-16c60bcceba5
Also linked to
42 by Dijous Paella
|
4 | 3:51–4:02 | ||||||||||||||||||||||||||||
|
Recordings linked to C
|
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| D |
c21a31be-b216-486a-9ed4-e4d68822fee0
Also linked to
Muy dentro de mí (You Sang to Me) (radio edit #2) by Marc Anthony, Tragedia by Marc Anthony and
|
5 | 3:46–3:50 | ||||||||||||||||||||||||||||
|
Recordings linked to D
|
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| E |
f1e8c02e-ea69-4727-8394-9f8ffafa4377
Also linked to
You Sang to Me by Marc Anthony
|
2 | 5:49–5:53 | ||||||||||||||||||||||||||||
|
Recordings linked to E
|
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| F |
440183e2-235e-4905-a837-eccec255fc39
Also linked to
42 by Dijous Paella, You Sang to Me by Marc Anthony
|
5 | 4:10–4:14 | ||||||||||||||||||||||||||||
|
Recordings linked to F
|
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| G | aab73930-98de-4d47-848d-9643ce5f41ad | 1 | 3:53 | ||||||||||||||||||||||||||||
| H | e28a0596-d007-4b66-bbd0-421645e99aa0 | 1 | 3:52 | ||||||||||||||||||||||||||||
| I | 28d85ca8-266e-4eb4-b52d-29cd20ed83ff | 1 | 4:41 | ||||||||||||||||||||||||||||
| J | 549d4a2a-2b37-4fca-91a4-88d903a3829d | 1 | 3:58 | ||||||||||||||||||||||||||||
| K | 2ba9caf5-3f7b-4e67-a327-c5b75f250934 | 1 | 3:54 | ||||||||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | I | J | K | |
|---|---|---|---|---|---|---|---|---|---|---|---|
| A | — | 0.00 | 0.95 | 0.00 | 0.00 | 0.72 | 0.00 | 0.00 | 0.00 | 0.00 | 0.61 |
| B | 0.00 | — | 0.00 | 0.50 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.90 | 0.00 |
| C | 0.95 | 0.00 | — | 0.00 | 0.00 | 0.75 | 0.00 | 0.00 | 0.00 | 0.00 | 0.62 |
| D | 0.00 | 0.50 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.48 | 0.00 |
| E | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.82 | 0.00 | 0.00 |
| F | 0.72 | 0.00 | 0.75 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.53 |
| G | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 |
| H | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 |
| I | 0.00 | 0.00 | 0.00 | 0.00 | 0.82 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 |
| J | 0.00 | 0.90 | 0.00 | 0.48 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 |
| K | 0.61 | 0.00 | 0.62 | 0.00 | 0.00 | 0.53 | 0.00 | 0.00 | 0.00 | 0.00 | — |