MusicBrainz recording
Out of the Blue
Debbie Gibson
3:56
3b348309-1958-4d5a-bacd-fa482b04d90f
View on MusicBrainz →
AcoustIDs
9
linked to this recording
Submissions
669
linking them to it
Fingerprints
28
distinct audio files
Duration
2:10–4:01
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | ||||||||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
c52366b8-5359-4ee0-a197-7bc7c88f20f5
Also linked to
Out of the Blue by Debbie Gibson, Out of the Blue by Debbie Gibson and
|
8 | 3:52–3:58 | |||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to A
|
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| B |
4ccb6ead-6e82-4e22-bb01-1812725ba059
Also linked to
Out of the Blue by Debbie Gibson, Out of the Blue by Debbie Gibson and
|
1 | 4:01 | |||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to B
|
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| C |
377d8da4-b224-4037-bf0f-0a8b2a7ee75b
Also linked to
Out of the Blue (re-recorded version) by Debbie Gibson
|
6 | 3:54–3:56 | |||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to C
|
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| D | 4b83cce6-06f9-4662-96f4-06169541a126 | 1 | 3:55 | |||||||||||||||||||||||||||||||||||||||||||
| E |
60e50e50-242d-4c22-8a60-9e33d1d50526
Also linked to
Gravy (for My Mashed Potatoes) by Dee Dee Sharp, Gravy by Dee Dee Sharp and
|
8 | 2:10–2:13 | |||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to E
|
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| F | 5c731392-569f-40f1-8fc4-a31a1f2e30bc | 1 | 3:51 | |||||||||||||||||||||||||||||||||||||||||||
| G | 2ba6d021-35d2-4e7d-8fb4-3a4fe8c4d770 | 1 | 3:56 | |||||||||||||||||||||||||||||||||||||||||||
| H | 6e3aa60d-0b4c-4038-b518-32c53019d62b | 1 | 3:56 | |||||||||||||||||||||||||||||||||||||||||||
| I | c33b140c-8f8d-47ba-88fa-79a8d4c3d670 | 1 | 3:55 | |||||||||||||||||||||||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | I | |
|---|---|---|---|---|---|---|---|---|---|
| A | — | 0.96 | 0.00 | 0.69 | 0.00 | 0.00 | 0.22 | 0.00 | 0.00 |
| B | 0.96 | — | 0.00 | 0.69 | 0.00 | 0.00 | 0.23 | 0.00 | 0.00 |
| C | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| D | 0.69 | 0.69 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| E | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 |
| F | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 |
| G | 0.22 | 0.23 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 |
| H | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 |
| I | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — |