MusicBrainz recording
I Cover the Waterfront
Billie Holiday
2:57
3ae76dc7-756b-4bb8-91ff-57ce5a7dbc09
View on MusicBrainz →
AcoustIDs
8
linked to this recording
Submissions
222
linking them to it
Fingerprints
43
distinct audio files
Duration
2:54–3:06
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | |||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
57dc1c76-b65f-44ad-8e27-f33584e2828b
Also linked to
I Cover the Waterfront by Billie Holiday & Her Orchestra, I Cover the Waterfront by Billie Holiday and
|
22 | 2:54–2:58 | ||||||||||||||||||||||||||||||||||||||
|
Recordings linked to A
|
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| B |
bbbc7e81-364e-4f5d-886b-2998f18b7e93
Also linked to
I Cover the Waterfront by Billie Holiday & Her Orchestra
|
3 | 2:56–2:59 | ||||||||||||||||||||||||||||||||||||||
|
Recordings linked to B
|
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| C |
59acf0a7-3b54-457f-a5af-6e7aee5379f9
Also linked to
I Cover the Waterfront by Billie Holiday & Her Orchestra, I Cover the Waterfront by Billie Holiday and
|
5 | 2:55–2:59 | ||||||||||||||||||||||||||||||||||||||
|
Recordings linked to C
|
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| D | d347f38c-3e49-48cd-b1b7-5da82c6a4fd8 | 1 | 3:02 | ||||||||||||||||||||||||||||||||||||||
| E | ae4dfce9-78a6-4422-aea5-a3b51993d8ac | 1 | 2:57 | ||||||||||||||||||||||||||||||||||||||
| F |
4a816521-73b5-4955-bf9d-24a0d73f07c8
Also linked to
The Man I Love by Billie Holiday, The Man I Love by Billie Holiday and
|
8 | 3:02–3:06 | ||||||||||||||||||||||||||||||||||||||
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Recordings linked to F
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| G |
b81c080b-a629-469c-ace0-a8e743932491
Also linked to
I Cover the Waterfront by Billie Holiday & Her Orchestra, I Cover the Waterfront by Billie Holiday and
|
2 | 2:58 | ||||||||||||||||||||||||||||||||||||||
|
Recordings linked to G
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| H | 9bd85499-0d4c-4661-9bec-a465911caf56 | 1 | 2:58 | ||||||||||||||||||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | |
|---|---|---|---|---|---|---|---|---|
| A | — | 0.61 | 0.61 | 0.88 | 0.00 | 0.00 | 0.00 | 0.00 |
| B | 0.61 | — | 0.49 | 0.58 | 0.00 | 0.00 | 0.00 | 0.00 |
| C | 0.61 | 0.49 | — | 0.59 | 0.00 | 0.00 | 0.00 | 0.00 |
| D | 0.88 | 0.58 | 0.59 | — | 0.00 | 0.00 | 0.00 | 0.00 |
| E | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 |
| F | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 |
| G | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 |
| H | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — |