open source audio identification
MusicBrainz recording
Scared to Be Lonely
Martin Garrix & Dua Lipa
3:41
3ac236fa-e4b1-46e3-80b4-0259c23ece2a
View on MusicBrainz →
AcoustIDs
9
linked to this recording
Submissions
1,194
linking them to it
Fingerprints
24
distinct audio files
Duration
3:23–3:52
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | |||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
a2e96005-fff3-4141-ab19-42bc770a550d
Also linked to
Scared to Be Lonely by Martin Garrix & Dua Lipa, Scared to Be Lonely by Martin Garrix & Dua Lipa and
|
9 | 3:37–3:43 | ||||||||||||||||||||||||||||||||||||||
|
Recordings linked to A
|
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| B |
783d2124-2629-4692-b692-825df2a326c7
Also linked to
Scared to Be Lonely by Martin Garrix & Dua Lipa, Scared to Be Lonely (Gigamesh remix) by Martin Garrix & Dua Lipa
|
4 | 3:50–3:52 | ||||||||||||||||||||||||||||||||||||||
|
Recordings linked to B
|
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| C | 15b09107-5cb9-410d-ae51-df1a533f882b | 1 | 3:40 | ||||||||||||||||||||||||||||||||||||||
| D | d23decef-8222-419b-a25a-9cb201593adb | 1 | 3:40 | ||||||||||||||||||||||||||||||||||||||
| E | 65cc1519-c1a0-45cc-a5bb-588f33235dd5 | 1 | 3:41 | ||||||||||||||||||||||||||||||||||||||
| F |
3f1ad6f5-03c9-4171-9e41-2d44a0f11cfa
Also linked to
Baby Goodbye by Friday Hill, Baby Goodbye by Friday Hill and
|
3 | 3:39 | ||||||||||||||||||||||||||||||||||||||
|
Recordings linked to F
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| G |
ec2e2c5e-0c87-4675-91a1-202b168cfda0
Also linked to
Song 4 Lovers by Liberty X
|
3 | 3:30–3:35 | ||||||||||||||||||||||||||||||||||||||
|
Recordings linked to G
|
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| H | f8e43fd3-0104-4a0a-bff1-659ad9d6f4b7 | 1 | 3:29 | ||||||||||||||||||||||||||||||||||||||
| I | fde42066-de26-42af-8d02-4b79d717dd38 | 1 | 3:23 | ||||||||||||||||||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | I | |
|---|---|---|---|---|---|---|---|---|---|
| A | — | 0.85 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.98 |
| B | 0.85 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.84 |
| C | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| D | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| E | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 |
| F | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 |
| G | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 |
| H | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 |
| I | 0.98 | 0.84 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — |