MusicBrainz recording
Maxwell's Silver Hammer
The Beatles
1:10
Twickenham Sessions
39ba4ab5-1d18-4240-949f-e0246e417f67
View on MusicBrainz →
AcoustIDs
8
linked to this recording
Submissions
21
linking them to it
Fingerprints
16
distinct audio files
Duration
0:58–1:22
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | |||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A | 1201e3fd-c54b-46e7-bde8-a6fd4117863a | 3 | 1:10–1:15 | ||||||||||||||||||
| B |
66a7f591-b665-418b-8b4c-083ee546f4fc
Also linked to
All Shook Up by The Beatles
|
4 | 1:05–1:07 | ||||||||||||||||||
|
Recordings linked to B
|
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| C |
dd213655-7f89-48f2-962b-420204bb94c9
Also linked to
Maxwell's Silver Hammer by The Beatles, Maxwell's Silver Hammer 7.55 by The Beatles
|
1 | 1:13 | ||||||||||||||||||
|
Recordings linked to C
|
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| D |
88505d04-0876-44b9-8046-17bb8c988357
Also linked to
Maxwell's Silver Hammer by The Beatles, Maxwell's Silver Hammer 3.148 by The Beatles
|
1 | 1:16 | ||||||||||||||||||
|
Recordings linked to D
|
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| E |
ff360446-e9b7-4d92-aa01-74f3318e8f6f
Also linked to
Maxwell's Silver Hammer by The Beatles, Maxwell's Silver Hammer 3.145 by The Beatles
|
2 | 1:05–1:06 | ||||||||||||||||||
|
Recordings linked to E
|
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| F |
3847d66f-3fe2-44de-b840-bb8697ee3520
Also linked to
Maxwell's Silver Hammer by The Beatles, Maxwell's Silver Hammer 3.143 by The Beatles
|
2 | 1:04 | ||||||||||||||||||
|
Recordings linked to F
|
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| G |
715c9886-3a7c-4a8e-a753-8911a34f69c8
Also linked to
Maxwell's Silver Hammer 10.67 by The Beatles
|
1 | 1:22 | ||||||||||||||||||
|
Recordings linked to G
|
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| H |
c2b95c13-7004-436c-8019-af551135ec0f
Also linked to
Maxwell's Silver Hammer by The Beatles, Maxwell's Silver Hammer 7.65 by The Beatles
|
2 | 0:58–1:00 | ||||||||||||||||||
|
Recordings linked to H
|
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Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | |
|---|---|---|---|---|---|---|---|---|
| A | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.93 | 0.00 |
| B | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| C | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| D | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 |
| E | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 |
| F | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 |
| G | 0.93 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 |
| H | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — |