MusicBrainz recording
You’re a Lucky Guy
Billie Holiday
2:46
39a159d0-13fc-43c7-abbf-308c7041b9df
View on MusicBrainz →
AcoustIDs
5
linked to this recording
Submissions
68
linking them to it
Fingerprints
29
distinct audio files
Duration
2:42–2:48
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | |||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
bc4b934d-bb5a-415b-b1b2-fc6be27ee8ff
Also linked to
You're a Lucky Guy by Billie Holiday, You're A Lucky Guy by Billie Holiday and
|
12 | 2:44–2:48 | ||||||||||||||||||||||||||||||||||||||
|
Recordings linked to A
|
|||||||||||||||||||||||||||||||||||||||||
| B |
f07cd8b9-1a15-4ace-ba7e-c59b37b2c4e5
Also linked to
You’re a Lucky Guy by Billie Holiday and Her Orchestra
|
5 | 2:47–2:48 | ||||||||||||||||||||||||||||||||||||||
|
Recordings linked to B
|
|||||||||||||||||||||||||||||||||||||||||
| C |
9f125588-9f84-4ec5-9f2e-a190703b400d
Also linked to
You’re a Lucky Guy by Billie Holiday and Her Orchestra, You're A Lucky Guy by Billie Holiday and
|
4 | 2:43–2:46 | ||||||||||||||||||||||||||||||||||||||
|
Recordings linked to C
|
|||||||||||||||||||||||||||||||||||||||||
| D |
41d574dd-ded3-4652-a48b-68532c1a4333
Also linked to
You’re a Lucky Guy by Billie Holiday & Lester Young, You're a Lucky Guy by Artie Shaw and
|
4 | 2:42–2:46 | ||||||||||||||||||||||||||||||||||||||
|
Recordings linked to D
|
|||||||||||||||||||||||||||||||||||||||||
| E |
a12a5de5-d2c6-4295-a7c5-0fcc43474ade
Also linked to
You're A Lucky Guy by Billie Holiday, You're a Lucky Guy by Billie Holiday and
|
4 | 2:45–2:47 | ||||||||||||||||||||||||||||||||||||||
|
Recordings linked to E
|
|||||||||||||||||||||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.