open source audio identification
MusicBrainz recording
LoveGame (Robots to Mars remix)
Lady Gaga
3:14
395b6918-bbcc-4ac1-be6e-cc0eac2cc4d4
View on MusicBrainz →
AcoustIDs
8
linked to this recording
Submissions
482
linking them to it
Fingerprints
95
distinct audio files
Duration
3:10–3:48
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | |||||||||||||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
5adff241-d3eb-46bb-8687-70b53475d08d
Also linked to
LoveGame (Robots to Mars remix) by Lady Gaga, LoveGame (instrumental) by Lady Gaga
|
10 | 3:13–3:16 | ||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to A
|
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| B |
7c9a596a-0ed1-4583-a128-03bd7b8a0932
Also linked to
LoveGame by Lady Gaga
|
1 | 3:20 | ||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to B
|
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| C | 504cc846-1dee-4937-8fa5-fb92fc91a526 | 3 | 3:13–3:18 | ||||||||||||||||||||||||||||||||||||||||||||||||
| D |
2cd16ae4-b65a-48a9-b9f2-e3b15596c360
Also linked to
LoveGame by Lady Gaga, LoveGame (Promo Only clean edit) by Lady Gaga and
|
65 | 3:35–3:42 | ||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to D
|
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| E | 5b31dc17-e134-4ff0-8c5b-4206afcffca5 | 2 | 3:42–3:48 | ||||||||||||||||||||||||||||||||||||||||||||||||
| F |
81a8ac7c-4bf8-47f3-a243-5020958eb669
Also linked to
Boys Boys Boys by Lady Gaga, Boys Boys Boys by Lady Gaga and
|
12 | 3:16–3:22 | ||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to F
|
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| G | 4adbe880-45ce-4abb-b8fe-fc2d566c51b9 | 1 | 3:43 | ||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to G
|
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| H | 34ffe237-3af1-421d-a4a0-14d6b5293779 | 1 | 3:10 | ||||||||||||||||||||||||||||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | |
|---|---|---|---|---|---|---|---|---|
| A | — | 0.00 | 0.56 | 0.00 | 0.76 | 0.00 | 0.00 | 0.00 |
| B | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| C | 0.56 | 0.00 | — | 0.00 | 0.58 | 0.00 | 0.00 | 0.00 |
| D | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.73 | 0.00 |
| E | 0.76 | 0.00 | 0.58 | 0.00 | — | 0.00 | 0.00 | 0.00 |
| F | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 |
| G | 0.00 | 0.00 | 0.00 | 0.73 | 0.00 | 0.00 | — | 0.00 |
| H | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — |