open source audio identification
MusicBrainz recording
Fingerprints
Katy Perry
3:45
37518808-b050-4c17-9d13-e66bc2eb8cc2
View on MusicBrainz →
AcoustIDs
9
linked to this recording
Submissions
1,619
linking them to it
Fingerprints
59
distinct audio files
Duration
3:29–3:59
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | ||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
3215d19e-d978-4647-b4cb-f00ca629ec63
Also linked to
Fingerprints by Katy Perry, Fingerprints by Katy Perry
|
4 | 3:44–3:46 | |||||||||||||||||||||||||||||||||
|
Recordings linked to A
|
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| B |
7ba5e41f-eb9a-4aa4-bf1c-71ac573a2bcf
Also linked to
Fingerprints by Katy Perry
|
4 | 3:53–3:59 | |||||||||||||||||||||||||||||||||
|
Recordings linked to B
|
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| C |
4f5e202e-c92d-4e74-89b8-3c124bfc6763
Also linked to
Fingerprints by Katy Perry
|
7 | 3:45–3:52 | |||||||||||||||||||||||||||||||||
|
Recordings linked to C
|
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| D | a6bc224d-b8e2-4987-9ebe-3b885bec2445 | 2 | 3:29–3:35 | |||||||||||||||||||||||||||||||||
| E |
eaf4f1f1-8bdd-4f09-af6e-f824121abea7
Also linked to
Fingerprints by Katy Perry
|
1 | 3:45 | |||||||||||||||||||||||||||||||||
|
Recordings linked to E
|
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| F | 152062dc-fae5-4d98-b5e3-4d5d96ec6ddc | 34 | 3:40–3:46 | |||||||||||||||||||||||||||||||||
|
Recordings linked to F
|
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| G |
6d4d19dc-7a76-4f0c-a84a-844d953d6f9d
Also linked to
Never Really Over by Katy Perry, Never Really Over by Katy Perry
|
4 | 3:43–3:44 | |||||||||||||||||||||||||||||||||
|
Recordings linked to G
|
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| H | 49edeceb-a678-4a39-8219-9dd2b8144a15 | 1 | 3:48 | |||||||||||||||||||||||||||||||||
| I |
f6f334c3-619c-46ec-870b-c70f7542452c
Also linked to
Diamonds by Katy Perry
|
2 | 3:54 | |||||||||||||||||||||||||||||||||
|
Recordings linked to I
|
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Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | I | |
|---|---|---|---|---|---|---|---|---|---|
| A | — | 1.00 | 0.64 | 0.90 | 0.62 | 0.00 | 0.00 | 0.47 | 0.00 |
| B | 1.00 | — | 0.64 | 0.90 | 0.62 | 0.00 | 0.00 | 0.48 | 0.00 |
| C | 0.64 | 0.64 | — | 0.65 | 0.61 | 0.00 | 0.00 | 0.00 | 0.00 |
| D | 0.90 | 0.90 | 0.65 | — | 0.63 | 0.00 | 0.00 | 0.46 | 0.00 |
| E | 0.62 | 0.62 | 0.61 | 0.63 | — | 0.00 | 0.00 | 0.00 | 0.00 |
| F | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 |
| G | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 |
| H | 0.47 | 0.48 | 0.00 | 0.46 | 0.00 | 0.00 | 0.00 | — | 0.00 |
| I | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — |