open source audio identification
MusicBrainz recording
Hole in My Shoe
Traffic
3:03
371ce49e-54e2-456f-abbd-bfbf00ddc7f9
View on MusicBrainz →
AcoustIDs
12
linked to this recording
Submissions
655
linking them to it
Fingerprints
51
distinct audio files
Duration
2:46–3:13
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | ||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
fa86eedc-0cf8-41b3-8d73-f89eb2f39ea5
Also linked to
Berkshire Poppies by Traffic, Hole in My Shoe by Traffic and
|
6 | 2:59–3:04 | |||||||||||||||||||||||
|
Recordings linked to A
|
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| B |
c3600de4-034d-4abc-81a4-ee0361b0ec25
Also linked to
Hole in My Shoe by Traffic, A Hole In My Shoe by Traffic and
|
16 | 2:58–3:05 | |||||||||||||||||||||||
|
Recordings linked to B
|
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| C |
23354b15-d8a3-4776-b0c0-529df69ca495
Also linked to
Berkshire Poppies by Traffic
|
1 | 3:07 | |||||||||||||||||||||||
|
Recordings linked to C
|
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| D | f44b260b-d3cf-4305-8cf2-bd0d1ac84bb6 | 3 | 3:03–3:06 | |||||||||||||||||||||||
| E |
a483b672-91fb-490d-980f-389b11beb653
Also linked to
Hole in My Shoe by Traffic
|
3 | 3:01–3:04 | |||||||||||||||||||||||
|
Recordings linked to E
|
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| F | ff685725-a4b5-4e48-870f-37ac81ee25c4 | 1 | 2:52 | |||||||||||||||||||||||
| G |
c68264de-9e43-4de6-8122-e91cde562df4
Also linked to
Hole in My Shoe by Traffic, Hole in My Shoe by Traffic
|
14 | 2:46–2:52 | |||||||||||||||||||||||
|
Recordings linked to G
|
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| H | 6fb91064-6896-4f61-926b-295da53c64ed | 1 | 3:04 | |||||||||||||||||||||||
| I | 03e1df96-d47e-4495-a053-ff8dc8591d13 | 1 | 3:04 | |||||||||||||||||||||||
| J |
7101bea1-2bb1-4d8a-b8d0-0a99e826ca1b
Also linked to
Hole in My Shoe by Traffic
|
3 | 3:06–3:13 | |||||||||||||||||||||||
|
Recordings linked to J
|
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| K | 781651b2-962f-460c-b2b5-4e60941de196 | 1 | 3:04 | |||||||||||||||||||||||
| L | ddf2b8e3-f918-4324-9bc2-19049343445e | 1 | 2:58 | |||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | I | J | K | L | |
|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A | — | 0.00 | 0.93 | 0.00 | 0.62 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.55 |
| B | 0.00 | — | 0.00 | 0.76 | 0.47 | 0.37 | 0.80 | 0.00 | 0.00 | 0.85 | 0.00 | 0.00 |
| C | 0.93 | 0.00 | — | 0.00 | 0.62 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.56 |
| D | 0.00 | 0.76 | 0.00 | — | 0.52 | 0.46 | 0.83 | 0.00 | 0.00 | 0.72 | 0.00 | 0.00 |
| E | 0.62 | 0.47 | 0.62 | 0.52 | — | 0.55 | 0.48 | 0.00 | 0.00 | 0.45 | 0.00 | 0.38 |
| F | 0.00 | 0.37 | 0.00 | 0.46 | 0.55 | — | 0.47 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| G | 0.00 | 0.80 | 0.00 | 0.83 | 0.48 | 0.47 | — | 0.00 | 0.00 | 0.75 | 0.00 | 0.00 |
| H | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 |
| I | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 |
| J | 0.00 | 0.85 | 0.00 | 0.72 | 0.45 | 0.00 | 0.75 | 0.00 | 0.00 | — | 0.00 | 0.00 |
| K | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 |
| L | 0.55 | 0.00 | 0.56 | 0.00 | 0.38 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — |