open source audio identification
MusicBrainz recording
Crazy for You
Madonna
3:45
36368529-afe1-4a00-abeb-e8e907baf01a
View on MusicBrainz →
AcoustIDs
6
linked to this recording
Submissions
47
linking them to it
Fingerprints
37
distinct audio files
Duration
3:39–4:09
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | ||||||||||||||||||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
82eb587c-d1e8-4c8e-b71f-c25f01fdd3aa
Also linked to
Crazy for You by Madonna, Crazy for You by Madonna and
|
18 | 3:39–3:46 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to A
|
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| B |
bddea182-2d9d-45f8-bdeb-92a29ec052b4
Also linked to
You Got Style by Madonna feat. Drake, The Impossible by C.L. Smooth
|
2 | 3:53 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to B
|
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| C |
6581cdd0-ebfb-4e34-82a9-d2a939b74755
Also linked to
Crazy for You by Madonna, Crazy for You by Madonna and
|
4 | 3:42–3:46 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to C
|
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| D |
76d14333-ae11-4f6e-89fc-12359f4ff555
Also linked to
Crazy for You by Madonna, Crazy for You by Madonna
|
1 | 3:54 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to D
|
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| E |
58e35ec2-d196-4270-a31b-16ce0e15a149
Also linked to
Crazy for You by Madonna, Crazy for You by Madonna and
|
11 | 4:01–4:09 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to E
|
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| F |
7448a9cd-e9fb-480f-a2c7-5332e78ec131
Also linked to
Crazy for You by Madonna, Crazy for You by Madonna
|
1 | 3:50 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to F
|
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Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.