open source audio identification
MusicBrainz recording
I’m So Crazy (’Bout You)
KC and the Sunshine Band
3:07
3596dce8-a91c-4f79-9abd-18801ec297ce
View on MusicBrainz →
AcoustIDs
7
linked to this recording
Submissions
246
linking them to it
Fingerprints
161
distinct audio files
Duration
3:00–3:25
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | ||||||||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
0aac42d1-7441-4159-b483-f7444d43c6fb
Also linked to
I’m So Crazy (’Bout You) by KC and the Sunshine Band, I’m So Crazy by KC and the Sunshine Band and
|
18 | 3:04–3:08 | |||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to A
|
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| B | c682ffe0-7ac1-49d6-9993-efc006b90deb | 1 | 3:06 | |||||||||||||||||||||||||||||||||||||||||||
| C | 2b1eff49-be7d-432e-a37c-bb66c786f728 | 1 | 3:09 | |||||||||||||||||||||||||||||||||||||||||||
| D |
fb38a181-dbbf-48b0-96c0-6dad7596cf1b
Also linked to
(Shake, Shake, Shake) Shake Your Booty by KC and the Sunshine Band, Shake Shake Shake (Shake Your Booty) by KC and the Sunshine Band and
|
130 | 3:03–3:10 | |||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to D
|
||||||||||||||||||||||||||||||||||||||||||||||
| E | f7575e00-05ec-4e30-b3f6-30ce6b10fb82 | 1 | 3:06 | |||||||||||||||||||||||||||||||||||||||||||
| F |
5b99b9f9-a7d9-494e-9012-2e43e1da8b7f
Also linked to
Sound Your Funky Horn by KC and the Sunshine Band
|
9 | 3:00–3:04 | |||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to F
|
||||||||||||||||||||||||||||||||||||||||||||||
| G | f6866b2f-b26f-46e9-9798-2071900cc503 | 1 | 3:25 | |||||||||||||||||||||||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.