MusicBrainz recording
Boulevard of Broken Dreams
Smokie
4:29
356b2744-6980-44d7-9cae-e78bd17f4dcb
View on MusicBrainz →
AcoustIDs
10
linked to this recording
Submissions
352
linking them to it
Fingerprints
33
distinct audio files
Duration
3:36–4:42
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | |||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
2a264903-c4fc-4b18-b43c-2e1127fc18cb
Also linked to
Boulevard of Broken Dreams by Smokie, Boulevard of Broken Dreams by Smokie
|
9 | 4:26–4:32 | ||||||||||||||||||
|
Recordings linked to A
|
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| B |
cc3d4e47-62ea-40c3-bb54-8b0258e69d5a
Also linked to
Boulevard of Broken Dreams by Smokie
|
4 | 4:24–4:26 | ||||||||||||||||||
|
Recordings linked to B
|
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| C | f79a8a40-c14b-4628-8ec4-f689aa871cc1 | 2 | 4:38–4:42 | ||||||||||||||||||
| D |
e0d59baa-ef9e-464e-ba4f-6f39cf51a023
Also linked to
Boulevard of Broken Dreams by Smokie
|
2 | 4:34–4:38 | ||||||||||||||||||
|
Recordings linked to D
|
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| E |
2b94ebcc-9ade-4664-b2f7-959694fb975e
Also linked to
Boulevard of Broken Dreams by Smokie
|
3 | 4:16–4:17 | ||||||||||||||||||
|
Recordings linked to E
|
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| F |
7d06801f-b694-48d2-b079-26be7de3b408
Also linked to
Naked Love by Smokie, I Feel Love by Smokie
|
4 | 4:15–4:16 | ||||||||||||||||||
|
Recordings linked to F
|
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| G | 196d29dc-4bac-4864-af71-487a763aafa0 | 1 | 4:40 | ||||||||||||||||||
| H |
29e58a21-a496-4984-b917-c05b3c922f85
Also linked to
Miss You by Smokie
|
4 | 3:36–3:43 | ||||||||||||||||||
|
Recordings linked to H
|
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| I | e30e6ebc-7339-4430-9e59-720076e3c56e | 1 | 4:34 | ||||||||||||||||||
| J |
9fa3d7f9-2895-41a0-8b62-2992810578b4
Also linked to
Naked Love by Smokie
|
3 | 4:23–4:27 | ||||||||||||||||||
|
Recordings linked to J
|
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Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | I | J | |
|---|---|---|---|---|---|---|---|---|---|---|
| A | — | 0.00 | 0.00 | 0.94 | 0.88 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| B | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| C | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| D | 0.94 | 0.00 | 0.00 | — | 0.87 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| E | 0.88 | 0.00 | 0.00 | 0.87 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| F | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.93 |
| G | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 |
| H | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 |
| I | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 |
| J | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.93 | 0.00 | 0.00 | 0.00 | — |