open source audio identification
MusicBrainz recording
Iron Lion Zion (7″ mix)
Bob Marley & The Wailers
3:22
32b062ca-b3cc-49a2-9604-659b6b8e5c6b
View on MusicBrainz →
AcoustIDs
11
linked to this recording
Submissions
1,133
linking them to it
Fingerprints
58
distinct audio files
Duration
2:58–3:39
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | ||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
638fa355-5ea7-45a3-b9ea-0802d1d97aab
Also linked to
Iron Lion Zion by Bob Marley & The Wailers, Natural Mystic by Bob Marley and
|
16 | 3:16–3:23 | |||||||||||||||||||||||
|
Recordings linked to A
|
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| B |
ddfbe837-f81f-4630-9b9e-47b0f83dc97a
Also linked to
Iron Lion Zion by Bob Marley & The Wailers, Iron Lion Zion by Raggajam and
|
12 | 3:21–3:29 | |||||||||||||||||||||||
|
Recordings linked to B
|
||||||||||||||||||||||||||
| C |
b68ba609-994c-4b74-aefa-8339b35e2a0a
Also linked to
Iron Lion Zion by Bob Marley & The Wailers, Keep On Moving by Bob Marley
|
20 | 3:11–3:17 | |||||||||||||||||||||||
|
Recordings linked to C
|
||||||||||||||||||||||||||
| D | ec331fbf-87c8-4535-ae10-457a4daf03bd | 2 | 3:21 | |||||||||||||||||||||||
| E |
e1459635-9528-4f65-a459-11714efecfd7
Also linked to
Iron Lion Zion by Bob Marley & The Wailers, Iron Lion Zion by Bob Marley & The Wailers
|
2 | 3:39 | |||||||||||||||||||||||
|
Recordings linked to E
|
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| F | b15a88ed-1d1b-4572-9905-c7bad27a4077 | 1 | 3:22 | |||||||||||||||||||||||
| G | 994cbe4e-8968-4f9d-8a9d-f884c83bf2bb | 1 | 3:24 | |||||||||||||||||||||||
| H | e4418047-fee9-4321-af70-898a5ca12c10 | 1 | 3:22 | |||||||||||||||||||||||
| I | f3698648-448e-494e-98d1-5fa518a38f9b | 1 | 2:58 | |||||||||||||||||||||||
| J | a2711a44-1fb2-4dbb-bd13-a1f23dcc3c18 | 1 | 3:08 | |||||||||||||||||||||||
| K | ce6230cc-1be1-4ce5-96aa-218d07d98d2d | 1 | 3:22 | |||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | I | J | K | |
|---|---|---|---|---|---|---|---|---|---|---|---|
| A | — | 0.92 | 0.88 | 0.00 | 0.88 | 0.00 | 0.70 | 0.66 | 0.00 | 0.00 | 0.00 |
| B | 0.92 | — | 0.94 | 0.33 | 0.81 | 0.00 | 0.69 | 0.64 | 0.00 | 0.00 | 0.00 |
| C | 0.88 | 0.94 | — | 0.00 | 0.83 | 0.00 | 0.65 | 0.60 | 0.00 | 0.00 | 0.00 |
| D | 0.00 | 0.33 | 0.00 | — | 0.00 | 0.00 | 0.36 | 0.00 | 0.00 | 0.00 | 0.00 |
| E | 0.88 | 0.81 | 0.83 | 0.00 | — | 0.00 | 0.62 | 0.58 | 0.00 | 0.00 | 0.00 |
| F | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| G | 0.70 | 0.69 | 0.65 | 0.36 | 0.62 | 0.00 | — | 0.57 | 0.00 | 0.00 | 0.00 |
| H | 0.66 | 0.64 | 0.60 | 0.00 | 0.58 | 0.00 | 0.57 | — | 0.00 | 0.00 | 0.00 |
| I | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 |
| J | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 |
| K | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — |