open source audio identification
MusicBrainz recording
I Guess That’s Why They Call It the Blues
Elton John
3:48
live
3278a33e-ec76-441c-b4bb-ea40fece84fe
View on MusicBrainz →
AcoustIDs
6
linked to this recording
Submissions
44
linking them to it
Fingerprints
64
distinct audio files
Duration
3:38–8:43
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
61613410-ba77-4b2b-ad94-208b9bdc8aa8
Also linked to
Answer in the Sky by Elton John
|
2 | 5:05–5:06 | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to A
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| B |
328d0cc6-53d3-4be3-b5ec-bf3a4998cbe5
Also linked to
I Guess That’s Why They Call It the Blues by Elton John, Eternal Flame by Bangles and
|
52 | 4:40–4:47 | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to B
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| C | 2be64303-78c1-4f13-9d01-cccfdc9a0b4c | 1 | 6:40 | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| D | ec72a34a-564a-40aa-9159-d578d274d990 | 3 | 8:43 | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| E |
79947a45-c956-48bd-b436-a18e8fc52b02
Also linked to
I Guess That’s Why They Call It the Blues by Elton John with Mary J. Blige, I Guess That’s Why They Call It the Blues by Mary J. Blige feat. Elton John and
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5 | 5:12–5:15 | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to E
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| F | 4c9c066e-2c0c-4f97-b96e-dd8bfe5cd278 | 1 | 3:38 | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.