MusicBrainz recording

I Second That Emotion

Smokey Robinson & The Miracles 2:43
318f96de-49c2-4292-95bd-48f38ee3d3f3 View on MusicBrainz →
AcoustIDs
9
linked to this recording
Submissions
461
linking them to it
Fingerprints
85
distinct audio files
Duration
2:40–2:56
range of submitted files

AcoustIDs

Most submitted first, 1 disabled
Show 1 disabled link
AcoustID Most common fingerprint Fingerprints Length Sources
A 6aa2905f-e9a9-48ed-b9c0-ffbb517191e7
Also linked to I Second That Emotion by Smokey Robinson & the Miracles, I Second That Emotion by Smokey Robinson & The Miracles and
14 2:40–2:44
374
B f65643b7-319c-49b5-b159-c04212cdf122
Also linked to I Second That Emotion by Smokey Robinson & The Miracles, I Second That Emotion by The Miracles and
3 2:41–2:48
56
C 8bfdfaec-bca2-420f-9204-40b72c12f0a3
Also linked to I Second That Emotion by Smokey Robinson & The Miracles, I Second That Emotion (single version) (mono) by Smokey Robinson & The Miracles and
23 2:44–2:51
12
D 0c6a1860-7167-40d8-a7e0-ac6fd9186383
Also linked to I Second That Emotion by Smokey Robinson & The Miracles, I Second That Emotion by Smokey Robinson & The Miracles and
31 2:42–2:47
10
E 04d90a58-b32c-4029-b08b-d2cfe6854932
Also linked to I Second That Emotion by Smokey Robinson & The Miracles, Going to a Go‐Go by Smokey Robinson & The Miracles and
5 2:44–2:47
5
F c6b5bd3b-6a8a-46e0-a2e2-074e29bf4adb
Also linked to I Second That Emotion by Smokey Robinson & The Miracles, I Second That Emotion by Smokey Robinson & The Miracles
4 2:43–2:46
1
G 54382ac7-3840-4fca-8f19-c37b696d3ad2
Also linked to I Second That Emotion by Smokey Robinson & The Miracles
2 2:55–2:56
1
H a2b48c51-8eef-4cbc-b5e1-11dd285f51d4 1 2:41
1
I b3165f56-7d76-4a99-9366-bb6c698e85e0
Also linked to I Second That Emotion by Smokey Robinson & The Miracles, I Second That Emotion by Smokey Robinson
2 2:41–2:42
1

Are they the same audio?

Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.