MusicBrainz recording

Twilight Time

The Platters 2:46
307cbd0c-455a-455c-9f63-c57d7bcac400 View on MusicBrainz →
AcoustIDs
12
linked to this recording
Submissions
47
linking them to it
Fingerprints
252
distinct audio files
Duration
2:32–3:01
range of submitted files

AcoustIDs

Most submitted first
AcoustID Most common fingerprint Fingerprints Length Sources
A 95fb7a87-c370-4dd8-962e-1ff2a71bffe8
Also linked to Twilight Time (single version) by The Platters, Twilight Time by The Platters and
32 2:42–2:52
12
B 3298062f-74f0-47e6-9d6d-3e353c39ea30
Also linked to Twilight Time (single version) by The Platters, Twilight Time by The Platters and
31 2:42–2:48
8
C 1a0c3058-f03b-4fce-8851-007980d50d70
Also linked to Twilight Time (single version) by The Platters, Twilight Time by The Platters and
40 2:44–2:51
6
D f9d54285-6619-4385-8b97-928516e9a96a 1 2:47
5
E 9629979a-bc5b-467d-bd2c-13a55d92a836
Also linked to Twilight Time (single version) by The Platters, Twilight Time by The Platters and
82 2:43–2:50
5
F 61b8b66e-60e9-4cc3-bbe6-9e6bd45ae99e
Also linked to Twilight Time (single version) by The Platters, Twilight Time by The Platters and
34 2:44–2:48
3
G e2d05dd6-71b6-49b8-a607-aa50d5df39c6 1 2:46
2
H da30b2df-97ed-494b-9de9-0ea18b4e8ff8
Also linked to Twilight Time (single version) by The Platters
1 3:01
2
I 2b87ca55-6238-4e81-803c-4d997f4e0601
Also linked to Twilight Time (single version) by The Platters, Twilight Time by The Platters and
12 2:43–2:48
1
J b6e5232a-4f8c-4648-9070-15a8c30f008a
Also linked to Twilight Zone by The Platters, Twilight Time (single version) by The Platters
3 2:48–2:55
1
K 074c0ec4-4a1f-42e0-bf99-e4fb36aa24e0
Also linked to Twilight Time by The Platters, Twilight Time (45 version) by The Platters and
7 2:45–2:50
1
L 0c76121a-8835-475f-b094-cd538ceb09cc
Also linked to Twilight Time by The Countdown Singers, Twilight Time by The Platters and
8 2:32–2:35
1

Are they the same audio?

Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.