open source audio identification
MusicBrainz recording
Hang ’em High
Booker T. & the MG’s
3:56
306e2cd6-69e9-4383-984d-d6b6fc957e55
View on MusicBrainz →
AcoustIDs
11
linked to this recording
Submissions
541
linking them to it
Fingerprints
28
distinct audio files
Duration
3:08–4:03
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | ||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
1d4470f0-c07a-440d-b099-586ec7754dd9
Also linked to
Hang ’Em High by Booker T. & the MG’s, Hang ’em High (live in Toronto, ON, 1983) by Booker T. & the M.G.’s and
|
9 | 3:52–3:58 | |||||||||||||||||||||||||||||||||
|
Recordings linked to A
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| B |
0c159177-c8a4-454d-8fb8-165b514c5dd3
Also linked to
Hang ’Em High by Booker T. & the MG’s
|
4 | 3:52–3:56 | |||||||||||||||||||||||||||||||||
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Recordings linked to B
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| C |
cdd4baab-332f-4402-9287-2545a9aa2d7b
Also linked to
Hang ’Em High by Booker T. & the MG’s
|
4 | 3:56–4:01 | |||||||||||||||||||||||||||||||||
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Recordings linked to C
|
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| D | c5a4e823-69ff-42b2-a11a-efdc961a9f8a | 3 | 3:56–4:00 | |||||||||||||||||||||||||||||||||
| E | 1a9dad18-58ed-4509-bd5c-58519db65ed3 | 2 | 3:55 | |||||||||||||||||||||||||||||||||
| F | 6508383a-993c-45ee-b485-c767b867ff13 | 1 | 4:03 | |||||||||||||||||||||||||||||||||
| G | 7d1f0ea0-370d-49f6-975d-a27fc920cbc8 | 1 | 3:53 | |||||||||||||||||||||||||||||||||
| H | daa17206-d57a-483a-ab72-ab2e6441408a | 1 | 3:51 | |||||||||||||||||||||||||||||||||
| I | 68c4ff7d-d2ab-44bb-8d9d-238dcf443f77 | 1 | 3:57 | |||||||||||||||||||||||||||||||||
| J | fb69eded-7a3d-42c4-8c29-ffbe03a8bcf0 | 1 | 3:51 | |||||||||||||||||||||||||||||||||
| K |
262e874f-feef-4684-942f-03646a117e4a
Also linked to
Hang 'em High by Trippy Wicked & the Cosmic Children of the Knight
|
1 | 3:08 | |||||||||||||||||||||||||||||||||
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Recordings linked to K
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Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | I | J | K | |
|---|---|---|---|---|---|---|---|---|---|---|---|
| A | — | 0.00 | 0.67 | 0.00 | 0.00 | 0.74 | 0.00 | 0.14 | 0.58 | 0.65 | 0.92 |
| B | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| C | 0.67 | 0.00 | — | 0.57 | 0.00 | 0.58 | 0.00 | 0.00 | 0.00 | 0.00 | 0.64 |
| D | 0.00 | 0.00 | 0.57 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| E | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.53 | 0.00 | 0.00 |
| F | 0.74 | 0.00 | 0.58 | 0.00 | 0.00 | — | 0.00 | 0.14 | 0.61 | 0.72 | 0.71 |
| G | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 |
| H | 0.14 | 0.00 | 0.00 | 0.00 | 0.00 | 0.14 | 0.00 | — | 0.00 | 0.13 | 0.16 |
| I | 0.58 | 0.00 | 0.00 | 0.00 | 0.53 | 0.61 | 0.00 | 0.00 | — | 0.53 | 0.57 |
| J | 0.65 | 0.00 | 0.00 | 0.00 | 0.00 | 0.72 | 0.00 | 0.13 | 0.53 | — | 0.65 |
| K | 0.92 | 0.00 | 0.64 | 0.00 | 0.00 | 0.71 | 0.00 | 0.16 | 0.57 | 0.65 | — |