MusicBrainz recording
Another Brick in the Wall, Part II
Pink Floyd
3:19
301708df-640e-4b22-b82f-372ccc647089
View on MusicBrainz →
AcoustIDs
6
linked to this recording
Submissions
18
linking them to it
Fingerprints
35
distinct audio files
Duration
3:08–3:29
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | |||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
fafea4ba-79c8-4aca-aa0d-2612660f6aef
Also linked to
Another Brick in the Wall (Part II) by Pink Floyd
|
4 | 3:20–3:25 | ||||||||||||||||||||||||||||||||||||||
|
Recordings linked to A
|
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| B |
c2430220-2bbc-4758-94f3-93893652e144
Also linked to
Another Brick in the Wall, Part 1 by Pink Floyd, Another Brick in the Wall (Part 1) by Pink Floyd and
|
6 | 3:08–3:12 | ||||||||||||||||||||||||||||||||||||||
|
Recordings linked to B
|
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| C |
7dc9a1ca-72f5-4e64-b2bb-34a8f405df9b
Also linked to
Another Brick in the Wall, Part II by Pink Floyd, Another Brick in the Wall (Part II) by Pink Floyd and
|
10 | 3:10–3:17 | ||||||||||||||||||||||||||||||||||||||
|
Recordings linked to C
|
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| D |
74a32e1b-202c-4633-a986-b71b00c03833
Also linked to
Another Brick in the Wall (Part II) by Pink Floyd
|
4 | 3:24–3:29 | ||||||||||||||||||||||||||||||||||||||
|
Recordings linked to D
|
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| E |
db139b52-b0b5-4482-8105-77d9940cbb49
Also linked to
Another Brick in the Wall, Part 1 by Pink Floyd, Another Brick in the Wall, Pt. 2 by Pink Floyd and
|
9 | 3:11–3:18 | ||||||||||||||||||||||||||||||||||||||
|
Recordings linked to E
|
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| F |
54994226-1c48-4c3f-9802-fdcf1d540665
Also linked to
Another Brick in the Wall, Part 1 by Pink Floyd, Another Brick in the Wall, Part 1 by Pink Floyd and
|
2 | 3:12–3:13 | ||||||||||||||||||||||||||||||||||||||
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Recordings linked to F
|
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Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.