open source audio identification
MusicBrainz recording
Harlem Congo
Chick Webb and His Orchestra
3:17
1937-11-01, mx. 62740-A
2fb6b1aa-eb0c-436d-90cf-a678feb338a8
View on MusicBrainz →
AcoustIDs
11
linked to this recording
Submissions
232
linking them to it
Fingerprints
43
distinct audio files
Duration
3:07–3:36
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | |||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
4065ac38-bbac-43e0-9165-a672aed49850
Also linked to
Harlem Congo by Chick Webb, Harlem Congo by Chick Webb
|
8 | 3:14–3:17 | ||||||||||||||||||
|
Recordings linked to A
|
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| B |
1cb91a03-eba2-4cbc-ae69-12d38c91ec2a
Also linked to
Harlem Congo by Chick Webb & Ella Fitzgerald, Harlem Congo by Chick Webb
|
7 | 3:16–3:18 | ||||||||||||||||||
|
Recordings linked to B
|
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| C |
75c0dad0-6922-43c6-a0b5-aef91c2fd7f5
Also linked to
One O'Clock Jump by Count Basie & His Orchestra
|
4 | 3:14–3:15 | ||||||||||||||||||
|
Recordings linked to C
|
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| D | 2ca0467c-d3a7-492f-8b80-bac4d97d2f21 | 2 | 3:16 | ||||||||||||||||||
| E |
71f44cca-204f-4a43-a848-28a40f82c5e7
Also linked to
Harlem Congo by Ella Fitzgerald & Chick Webb
|
1 | 3:15 | ||||||||||||||||||
|
Recordings linked to E
|
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| F |
d5f21d0f-7dd2-4fcb-983a-4388a2993837
Also linked to
Harlem Congo by Chick Webb
|
12 | 3:16–3:19 | ||||||||||||||||||
|
Recordings linked to F
|
|||||||||||||||||||||
| G | 5456a764-af82-43bc-bbab-263026e1d03b | 3 | 3:07–3:12 | ||||||||||||||||||
| H | c473011a-d520-4ae0-8edb-397a35764693 | 1 | 3:13 | ||||||||||||||||||
| I | aa9b0622-7f31-4fc3-9ebf-df0fbe65eee9 | 3 | 3:15–3:17 | ||||||||||||||||||
| J | 61876e87-5f1c-42d9-afeb-5ac298412e89 | 1 | 3:36 | ||||||||||||||||||
| K | b655acc6-5148-47d6-8a3a-301c09b1b5d8 | 1 | 3:17 | ||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | I | J | K | |
|---|---|---|---|---|---|---|---|---|---|---|---|
| A | — | 0.47 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.95 | 0.00 |
| B | 0.47 | — | 0.00 | 0.00 | 0.00 | 0.55 | 0.00 | 0.00 | 0.00 | 0.46 | 0.00 |
| C | 0.00 | 0.00 | — | 0.59 | 0.00 | 0.00 | 0.00 | 0.73 | 0.00 | 0.00 | 0.00 |
| D | 0.00 | 0.00 | 0.59 | — | 0.72 | 0.00 | 0.00 | 0.46 | 0.00 | 0.00 | 0.00 |
| E | 0.00 | 0.00 | 0.00 | 0.72 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| F | 0.00 | 0.55 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| G | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 |
| H | 0.00 | 0.00 | 0.73 | 0.46 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 |
| I | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.46 | 0.00 |
| J | 0.95 | 0.46 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.46 | — | 0.00 |
| K | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — |