AcoustID open source audio identification
MusicBrainz recording

Cherchez la femme / Se si bon

Dr. Buzzard’s Original Savannah Band 5:49
2fb02a76-5760-4f7f-8abb-c7d4ae60efec View on MusicBrainz →
AcoustIDs
9
linked to this recording
Submissions
218
linking them to it
Fingerprints
77
distinct audio files
Duration
5:39–5:55
range of submitted files

AcoustIDs

Most submitted first, 1 disabled
Show 1 disabled link
AcoustID Most common fingerprint Fingerprints Length Sources
A 41ad0f67-1d89-443f-bd89-57c1c587e341
Also linked to Cherchez la femme / C'est si bon by Dr. Buzzard’s Original Savannah Band, Cherchez la femme / C’est si bon by Dr. Buzzard’s Original Savannah Band and
15 5:45–5:50
77
B 84ebab52-7c24-4383-b2d4-343a3964c503
Also linked to Cherchez la femme / C’est si bon by Dr. Buzzard’s Original Savannah Band, Cherchez la femme by Dr. Buzzard’s Original Savannah Band and
18 5:40–5:47
68
C a92f3b7b-00fc-4123-bdcb-b78c79a13cab
Also linked to You've Got Something / Betcha' the Love Bug Bitcha' by Dr. Buzzard’s Original Savannah Band, Cherchez La Femme by Dr. Buzzard’s Original Savannah Band and
10 5:48–5:55
49
D 16044153-a118-4ae5-aae7-dbe758868e8f
Also linked to Cherchez la femme by Dr. Buzzard’s Original Savannah Band, Cherchez La Femme by Dr. Buzzard’s Original Savannah Band and
22 5:44–5:49
17
E 31755186-97b7-4126-8555-05b8635f0179
Also linked to Cherchez la femme / C’est si bon by Dr. Buzzard’s Original Savannah Band, Cherchez la femme / C'est si bon by Dr. Buzzard’s Original Savannah Band and
7 5:43–5:48
2
F 1692ea2f-a706-4f9c-b242-4a3f3729d88a 1 5:45
2
G bbc29d00-2b7c-47a8-b5c7-6e07b772f3d9
Also linked to Cherchez la femme / C’est si bon by Dr. Buzzard’s Original Savannah Band, Cherchez la femme by Dr. Buzzard’s Original Savannah Band and
1 5:39
1
H 54fd75cb-7135-42ed-8fd7-7e2b6c2e2d7f 2 5:46
1
I b9eec297-d82a-4839-a691-003ecdf4843b 1 5:52
1

Are they the same audio?

Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.

ABCDEFGHI
A — 0.55 0.50 0.63 0.00 0.52 0.55 0.41 0.36
B 0.55 — 0.32 0.50 0.00 0.53 0.95 0.00 0.33
C 0.50 0.32 — 0.62 0.00 0.00 0.32 0.70 0.09
D 0.63 0.50 0.62 — 0.00 0.00 0.54 0.47 0.36
E 0.00 0.00 0.00 0.00 — 0.00 0.00 0.00 0.00
F 0.52 0.53 0.00 0.00 0.00 — 0.53 0.20 0.27
G 0.55 0.95 0.32 0.54 0.00 0.53 — 0.00 0.33
H 0.41 0.00 0.70 0.47 0.00 0.20 0.00 — 0.00
I 0.36 0.33 0.09 0.36 0.00 0.27 0.33 0.00 —