open source audio identification
MusicBrainz recording
Stuck Like Glue
Sugarland
4:08
2ec826d6-3484-49f6-bcfc-3950ff7ffa6e
View on MusicBrainz →
AcoustIDs
10
linked to this recording
Submissions
514
linking them to it
Fingerprints
23
distinct audio files
Duration
3:49–30:07
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | |||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
72503e1a-ccec-4723-adab-72c045913635
Also linked to
Stuck Like Glue (pop version) by Sugarland, Stuck Like Glue by Sugarland
|
7 | 4:00–4:07 | ||||||||||||||||||||||||||||
|
Recordings linked to A
|
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| B |
7dcb7665-651c-4fd7-a697-6f92ce971572
Also linked to
Stuck Like Glue (pop version) by Sugarland, Stuck Like Glue by Sugarland and
|
4 | 4:07–4:08 | ||||||||||||||||||||||||||||
|
Recordings linked to B
|
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| C |
252eed61-efbc-449c-ac6b-6a3de0aef7ff
Also linked to
Stuck Like Glue by Sugarland
|
2 | 4:14–4:16 | ||||||||||||||||||||||||||||
|
Recordings linked to C
|
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| D |
095b4c54-f864-4a27-bb25-d5cd58eeae1d
Also linked to
Run by Matt Nathanson feat Jennifer Nettles and Kristian Bush, Stuck Like Glue (pop version) by Sugarland
|
4 | 4:05–4:08 | ||||||||||||||||||||||||||||
|
Recordings linked to D
|
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| E |
350d57f7-fefc-410c-bc56-5595cdeb337c
Also linked to
Stuck Like Glue by Sugarland
|
1 | 4:07 | ||||||||||||||||||||||||||||
|
Recordings linked to E
|
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| F | fb77f101-b372-4803-a074-6669c6fcb7e8 | 1 | 4:16 | ||||||||||||||||||||||||||||
| G | 4f8cf10f-ce0f-4ad4-9f14-c8293f69838c | 1 | 4:28 | ||||||||||||||||||||||||||||
| H |
09d8ac0e-67f0-432f-8bb6-00c4f5186af1
Also linked to
My Love, My Life by ABBA
|
1 | 3:49 | ||||||||||||||||||||||||||||
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Recordings linked to H
|
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| I | 4a85c923-cab9-44a2-b577-3a434e3ba1f8 | 1 | 30:07 | ||||||||||||||||||||||||||||
| J | 0923be89-aeee-4db6-bc32-f002d1fd804d | 1 | 4:07 | ||||||||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | I | J | |
|---|---|---|---|---|---|---|---|---|---|---|
| A | — | 0.96 | 0.90 | 0.00 | 0.00 | 0.24 | 0.95 | 0.94 | 0.80 | 0.00 |
| B | 0.96 | — | 0.94 | 0.00 | 0.00 | 0.21 | 0.95 | 0.98 | 0.74 | 0.00 |
| C | 0.90 | 0.94 | — | 0.00 | 0.00 | 0.26 | 0.90 | 0.96 | 0.77 | 0.00 |
| D | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| E | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| F | 0.24 | 0.21 | 0.26 | 0.00 | 0.00 | — | 0.24 | 0.22 | 0.21 | 0.00 |
| G | 0.95 | 0.95 | 0.90 | 0.00 | 0.00 | 0.24 | — | 0.94 | 0.79 | 0.00 |
| H | 0.94 | 0.98 | 0.96 | 0.00 | 0.00 | 0.22 | 0.94 | — | 0.76 | 0.00 |
| I | 0.80 | 0.74 | 0.77 | 0.00 | 0.00 | 0.21 | 0.79 | 0.76 | — | 0.00 |
| J | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — |