open source audio identification
MusicBrainz recording
Nothing Can Divide Us
Jason Donovan
3:46
2d2d0652-671c-4358-ad27-942f6b45cfe7
View on MusicBrainz →
AcoustIDs
8
linked to this recording
Submissions
312
linking them to it
Fingerprints
67
distinct audio files
Duration
3:28–4:13
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | ||||||||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A | 66618739-defe-47fa-8ddd-e5b310b19ee0 | 24 | 3:42–3:51 | |||||||||||||||||||||||||||||||||||||||||||
| B | d75dc2e7-31f4-4520-a709-a019ade5f4d3 | 3 | 3:43–3:50 | |||||||||||||||||||||||||||||||||||||||||||
| C |
c1e8976a-6e8e-4bbe-be85-1f3342afa2cb
Also linked to
Nothing Can Divide Us (7″ version) by Jason Donovan, Just Call Me Up by Jason Donovan
|
6 | 3:35–3:42 | |||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to C
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| D |
858373d7-c0de-41a2-99bd-c028ae74f7e0
Also linked to
Wild World by Maxi Priest, Wild World by Maxi Priest and
|
12 | 3:28–3:34 | |||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to D
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| E |
29848f9a-173c-4bd0-9152-c9e094fa8f0c
Also linked to
Just in Time by Jule Styne, Just in Time (Bells are Ringing) by Judy Holiday & Sydney Chaplin
|
5 | 3:38–3:43 | |||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to E
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| F |
36d3c045-eb94-457b-8aa4-387213c2876d
Also linked to
Stutter Rap (No Sleep Till Bedtime) by Morris Minor & the Majors, Stutter Rap (No Sleep ’Til Bedtime) by Morris Minor and the Majors and
|
15 | 3:45–3:50 | |||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to F
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| G | 6cd463c7-9d73-4921-8136-a514add7558c | 1 | 3:42 | |||||||||||||||||||||||||||||||||||||||||||
| H | 04603c00-f49a-4768-8c72-604e68de7395 | 1 | 4:13 | |||||||||||||||||||||||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | |
|---|---|---|---|---|---|---|---|---|
| A | — | 0.86 | 0.83 | 0.00 | 0.00 | 0.00 | 0.61 | 0.83 |
| B | 0.86 | — | 0.89 | 0.00 | 0.00 | 0.00 | 0.64 | 0.79 |
| C | 0.83 | 0.89 | — | 0.00 | 0.00 | 0.00 | 0.64 | 0.82 |
| D | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 |
| E | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 |
| F | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 |
| G | 0.61 | 0.64 | 0.64 | 0.00 | 0.00 | 0.00 | — | 0.57 |
| H | 0.83 | 0.79 | 0.82 | 0.00 | 0.00 | 0.00 | 0.57 | — |