open source audio identification
MusicBrainz recording
Love It When You Call
The Feeling
3:35
2cdd23ba-2e16-4f0f-b8f3-1b2a5fd41c91
View on MusicBrainz →
AcoustIDs
8
linked to this recording
Submissions
763
linking them to it
Fingerprints
22
distinct audio files
Duration
3:23–3:53
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | ||||||||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
0b63d4be-99ce-430e-9a12-95fd4c285e09
Also linked to
Love It When You Call by The Feeling, Love It When You Call by The Feeling and
|
8 | 3:32–3:35 | |||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to A
|
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| B |
c25fe2f6-902f-4871-b348-83d8dfcaad88
Also linked to
Love It When You Call by The Feeling
|
5 | 3:35–3:38 | |||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to B
|
||||||||||||||||||||||||||||||||||||||||||||||
| C | 8ec598bc-0a57-415e-a512-6588de1de19f | 1 | 3:31 | |||||||||||||||||||||||||||||||||||||||||||
| D | 80253fa4-650d-442a-ab70-6874220f49d3 | 2 | 3:41–3:44 | |||||||||||||||||||||||||||||||||||||||||||
| E | 2274a72a-24ba-49d6-84f8-347f5a0fb4e7 | 1 | 3:25 | |||||||||||||||||||||||||||||||||||||||||||
| F | 77ef3bed-3a09-4d46-80c7-d1f4c03f8167 | 1 | 3:23 | |||||||||||||||||||||||||||||||||||||||||||
| G |
58f04485-0e3b-446e-8276-b1847d7817f3
Also linked to
If You Come Back by Blue
|
3 | 3:37–3:44 | |||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to G
|
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| H |
9d0e6149-26fa-4da3-a34a-ab53f0d87af3
Also linked to
Love It When You Call by The Feeling
|
1 | 3:53 | |||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to H
|
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Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | |
|---|---|---|---|---|---|---|---|---|
| A | — | 0.70 | 0.00 | 0.96 | 0.65 | 0.91 | 0.00 | 0.00 |
| B | 0.70 | — | 0.00 | 0.70 | 0.56 | 0.73 | 0.00 | 0.00 |
| C | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| D | 0.96 | 0.70 | 0.00 | — | 0.65 | 0.90 | 0.00 | 0.00 |
| E | 0.65 | 0.56 | 0.00 | 0.65 | — | 0.63 | 0.00 | 0.00 |
| F | 0.91 | 0.73 | 0.00 | 0.90 | 0.63 | — | 0.00 | 0.00 |
| G | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 |
| H | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — |