open source audio identification
MusicBrainz recording
Niggas
The Notorious B.I.G.
3:49
2cd53b59-12cc-4a0f-9799-a78074470d96
View on MusicBrainz →
AcoustIDs
12
linked to this recording
Submissions
609
linking them to it
Fingerprints
34
distinct audio files
Duration
3:32–4:03
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | ||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
70c15d2c-925e-4190-9ea8-d261502b3360
Also linked to
Another by The Notorious B.I.G. feat. Lil’ Kim
|
8 | 3:48–3:50 | |||||||||||||||||||||||
|
Recordings linked to A
|
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| B | 1d41a18f-771f-4b7d-9789-a1a24ad02781 | 1 | 3:48 | |||||||||||||||||||||||
| C | f26de72e-653b-45af-bbe1-70a9397e651a | 1 | 3:48 | |||||||||||||||||||||||
| D | 70c05863-782b-44f9-a986-201a09539dce | 1 | 3:48 | |||||||||||||||||||||||
| E |
02aea8e6-1d69-4277-be5f-79c5aa555706
Also linked to
Going Back to Cali by The Notorious B.I.G.
|
1 | 4:03 | |||||||||||||||||||||||
|
Recordings linked to E
|
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| F | 702e6c03-bd68-46dc-9e20-40de9a8d9cb1 | 1 | 3:48 | |||||||||||||||||||||||
| G |
fadee942-7ada-4ae0-82bb-fd252b2756f3
Also linked to
All My Roads by Collin Raye
|
2 | 3:37–3:38 | |||||||||||||||||||||||
|
Recordings linked to G
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| H | 80c29e9d-89ae-4bd9-aed6-038c37f5324a | 1 | 3:48 | |||||||||||||||||||||||
| I |
7f40e942-999d-4ed4-8b6b-50bebd3b02a7
Also linked to
Would You Die for Me by The Notorious B.I.G. featuring Lil’ Kim & Puff Daddy, Would You Die for Me (club mix) by The Notorious B.I.G. featuring Lil’ Kim and Puff Daddy and
|
15 | 3:32–3:38 | |||||||||||||||||||||||
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Recordings linked to I
|
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| J | 05d06c55-fb6b-471e-9ede-3f24f4819d5c | 1 | 3:50 | |||||||||||||||||||||||
| K | f94f5962-1fe9-42d4-b0b9-406569dc188c | 1 | 3:48 | |||||||||||||||||||||||
| L | 9645033d-12cd-4718-adcf-b9bf5dc7fa98 | 1 | 3:59 | |||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | I | J | K | L | |
|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.65 | 0.86 | 0.00 | 0.00 | 0.47 | 0.57 | 0.94 |
| B | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| C | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| D | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| E | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| F | 0.65 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.72 | 0.00 | 0.00 | 0.38 | 0.51 | 0.70 |
| G | 0.86 | 0.00 | 0.00 | 0.00 | 0.00 | 0.72 | — | 0.00 | 0.00 | 0.51 | 0.62 | 0.91 |
| H | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 |
| I | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 |
| J | 0.47 | 0.00 | 0.00 | 0.00 | 0.00 | 0.38 | 0.51 | 0.00 | 0.00 | — | 0.33 | 0.47 |
| K | 0.57 | 0.00 | 0.00 | 0.00 | 0.00 | 0.51 | 0.62 | 0.00 | 0.00 | 0.33 | — | 0.60 |
| L | 0.94 | 0.00 | 0.00 | 0.00 | 0.00 | 0.70 | 0.91 | 0.00 | 0.00 | 0.47 | 0.60 | — |