MusicBrainz recording
Under Pressure
Queen
3:48
live, 1986-07-27: Népstadion, Budapest, Hungary
2c218440-ebac-48fa-b9a3-40c854e88dd5
View on MusicBrainz →
AcoustIDs
9
linked to this recording
Submissions
953
linking them to it
Fingerprints
27
distinct audio files
Duration
3:35–4:06
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | ||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
ae7c7df3-8143-491e-879e-cdb0938086f5
Also linked to
Under Pressure by Queen, Under Pressure by London Symphony Orchestra and
|
8 | 3:48–3:53 | |||||||||||||||||||||||||||||||||
|
Recordings linked to A
|
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| B |
a4b824ef-0fd4-4031-a0f5-018fbb2c8f79
Also linked to
Under Pressure by Queen
|
1 | 3:48 | |||||||||||||||||||||||||||||||||
|
Recordings linked to B
|
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| C |
444ae00b-90a9-47c0-a65a-6f6ec0d6f7a2
Also linked to
Under Pressure by Queen
|
2 | 3:35–3:40 | |||||||||||||||||||||||||||||||||
|
Recordings linked to C
|
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| D | 4a543468-92ab-45ef-9c8e-121174cb3d05 | 1 | 3:58 | |||||||||||||||||||||||||||||||||
| E | 7e3956dc-5439-4a08-9fb0-e0efba07354f | 1 | 3:48 | |||||||||||||||||||||||||||||||||
| F |
83a4828e-72c4-4cc5-bc0d-b7680fc6e960
Also linked to
Under Pressure by Queen & David Bowie, Under Pressure by David Bowie & Queen and
|
11 | 3:48–3:55 | |||||||||||||||||||||||||||||||||
|
Recordings linked to F
|
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| G |
185a5e76-0c5d-4166-a5c3-971dc70a69e1
Also linked to
Under Pressure by Queen
|
1 | 4:06 | |||||||||||||||||||||||||||||||||
|
Recordings linked to G
|
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| H | 0c8a681e-b529-4218-acb9-66dea9a80814 | 1 | 3:49 | |||||||||||||||||||||||||||||||||
| I | 34d9942b-8355-4684-b29a-e49b0e4e072d | 1 | 3:50 | |||||||||||||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | I | |
|---|---|---|---|---|---|---|---|---|---|
| A | — | 0.00 | 0.94 | 0.97 | 0.00 | 0.00 | 0.88 | 0.00 | 0.00 |
| B | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.60 | 0.00 | 0.00 | 0.00 |
| C | 0.94 | 0.00 | — | 0.94 | 0.00 | 0.00 | 0.87 | 0.00 | 0.00 |
| D | 0.97 | 0.00 | 0.94 | — | 0.00 | 0.00 | 0.87 | 0.00 | 0.00 |
| E | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 |
| F | 0.00 | 0.60 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 |
| G | 0.88 | 0.00 | 0.87 | 0.87 | 0.00 | 0.00 | — | 0.00 | 0.00 |
| H | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 |
| I | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — |