open source audio identification
MusicBrainz recording
Greatest Love of All
Whitney Houston
4:51
2bf447be-11a8-4ef8-a611-fa4336cdf3ca
View on MusicBrainz →
AcoustIDs
5
linked to this recording
Submissions
28
linking them to it
Fingerprints
53
distinct audio files
Duration
4:46–4:58
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
adbfe704-66d9-44dc-b376-73285c7c42d5
Also linked to
Greatest Love of All by Whitney Houston, Greatest Love of All by Whitney Houston and
|
18 | 4:50–4:57 | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to A
|
||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| B |
2b9494e8-d508-4762-b1c9-b2229189b827
Also linked to
Greatest Love of All by Whitney Houston, The Greatest Love of All by Shirley Bassey and
|
7 | 4:48–4:52 | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to B
|
||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| C |
ed08b425-a988-42cf-9764-5c22cb52af74
Also linked to
Greatest Love of All by Whitney Houston, Greatest Love of All by Whitney Houston and
|
6 | 4:51–4:58 | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to C
|
||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| D |
a23ab2f0-2e07-4e72-8490-26c726bcd00b
Also linked to
Greatest Love of All by Whitney Houston, Greatest Love of All by Whitney Houston and
|
19 | 4:46–4:53 | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to D
|
||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| E | e0a72d93-cf0e-4762-ab70-776836bbb5c2 | 3 | 4:50–4:55 | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.