open source audio identification
MusicBrainz recording
Track 16
Eric Van Lustbader
4:09
2af940ca-8bec-497c-ab4c-666fa29bbe6d
View on MusicBrainz →
AcoustIDs
12
linked to this recording
Submissions
16
linking them to it
Fingerprints
35
distinct audio files
Duration
4:04–4:25
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | |||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A | d088089b-98fe-429f-83cd-b1645a92a663 | 1 | 4:08 | ||||||||||||||||||||||||||||||||||||||
| B |
2d1900e1-59db-4470-b0ce-58bdcb84f36f
Also linked to
Rockin’ Steady (Deepack mix) by Showtek, Rockin' Steady (100% Deepack mix) by Showtek
|
3 | 4:22–4:25 | ||||||||||||||||||||||||||||||||||||||
|
Recordings linked to B
|
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| C | 0151eddf-fdf0-4be5-a9b4-218cdb9faf1a | 2 | 4:08 | ||||||||||||||||||||||||||||||||||||||
| D |
8cadd50c-95d4-44b8-bd05-82d526aba459
Also linked to
Las mañanitas by Cepillín, Las mañanitas by Cepillín
|
3 | 4:04–4:08 | ||||||||||||||||||||||||||||||||||||||
|
Recordings linked to D
|
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| E |
78fa9c69-54e9-49f8-8359-0f42a37f4c96
Also linked to
My Kinda Moves by QBall & Curt Cazal
|
3 | 4:12 | ||||||||||||||||||||||||||||||||||||||
|
Recordings linked to E
|
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| F | aa1a1f3c-4983-401b-a5a1-226329cca4e0 | 1 | 4:05 | ||||||||||||||||||||||||||||||||||||||
| G |
516b5874-b3f2-4a3a-84d3-dd3ef5764a5a
Also linked to
Trois Gymnopédies : II. Lent et triste by Reinbert de Leeuw
|
1 | 4:09 | ||||||||||||||||||||||||||||||||||||||
|
Recordings linked to G
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| H |
cee9331a-7b0d-450a-ac6e-37dbbcdd2881
Also linked to
7 Seconds by Youssou N’Dour & Neneh Cherry, Seven Seconds by Youssou N’Dour & Neneh Cherry and
|
15 | 4:05–4:12 | ||||||||||||||||||||||||||||||||||||||
|
Recordings linked to H
|
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| I |
9f8cb821-553a-44b5-bdee-50e684718dc9
Also linked to
Mes complices by Redemption
|
3 | 4:09 | ||||||||||||||||||||||||||||||||||||||
|
Recordings linked to I
|
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| J | 6c093e34-eb16-4231-b739-2d2139d2fc03 | 1 | 4:08 | ||||||||||||||||||||||||||||||||||||||
| K | e6e79634-6f4b-4819-987d-2fb6416679a6 | 1 | 4:07 | ||||||||||||||||||||||||||||||||||||||
| L | 7085ba86-ea79-4ca6-a2ac-9e8192919f4d | 1 | 4:08 | ||||||||||||||||||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | I | J | K | L | |
|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| B | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| C | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| D | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| E | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| F | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| G | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| H | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 |
| I | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 |
| J | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 |
| K | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 |
| L | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — |