open source audio identification
MusicBrainz recording
HIStory (The Ummah radio mix)
Michael Jackson
4:59
2add4116-7d3f-497d-aa17-17b558d6425d
View on MusicBrainz →
AcoustIDs
9
linked to this recording
Submissions
391
linking them to it
Fingerprints
210
distinct audio files
Duration
4:12–20:01
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | |||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A | 4d2e0932-edd0-4425-af20-664034853f91 | 2 | 4:59 | ||||||||||||||||||||||||||||||||||||||
| B | 6ba33e6f-1a27-4b28-b1fc-002e14f5a2df | 2 | 4:59 | ||||||||||||||||||||||||||||||||||||||
| C |
6ab3c38d-5298-498b-afbe-eb52da9aed16
Also linked to
D.S. by Michael Jackson
|
49 | 4:48–4:54 | ||||||||||||||||||||||||||||||||||||||
|
Recordings linked to C
|
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| D |
cdfda931-7f46-4a78-8b5e-2a0cd9d11056
Also linked to
2 Bad by Michael Jackson, Tabloid Junkie by Michael Jackson and
|
17 | 4:49–4:50 | ||||||||||||||||||||||||||||||||||||||
|
Recordings linked to D
|
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| E | 18fb27c7-f442-47eb-8648-6c9a1a3ae86c | 19 | 4:41–4:44 | ||||||||||||||||||||||||||||||||||||||
|
Recordings linked to E
|
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| F |
c254d178-e528-47e5-99c2-4976bfb1165c
Also linked to
The Way You Make Me Feel by Michael Jackson, The Way You Make Me Feel by Michael Jackson and
|
117 | 4:55–5:01 | ||||||||||||||||||||||||||||||||||||||
|
Recordings linked to F
|
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| G |
bf723da3-ee03-47ef-8129-516b8b783be7
Also linked to
HIStory (7" HIStory Lesson edit) by Michael Jackson, History by Michael Jackson and
|
2 | 4:12–4:13 | ||||||||||||||||||||||||||||||||||||||
|
Recordings linked to G
|
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| H | 5ed8ca79-08d1-4bc9-8c90-31d896c04ae0 | 1 | 20:01 | ||||||||||||||||||||||||||||||||||||||
| I | e1294228-f052-4e71-b51f-35eececf2b6a | 1 | 4:59 | ||||||||||||||||||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | I | |
|---|---|---|---|---|---|---|---|---|---|
| A | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.91 | 0.00 |
| B | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| C | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| D | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| E | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 |
| F | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 |
| G | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 |
| H | 0.91 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 |
| I | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — |