open source audio identification
MusicBrainz recording
All Downhill From Here
New Found Glory
3:12
2a70cc8f-ac77-4e31-ba42-cf3e25c67589
View on MusicBrainz →
AcoustIDs
11
linked to this recording
Submissions
673
linking them to it
Fingerprints
28
distinct audio files
Duration
1:14–3:28
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | |||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
40856882-bfce-447f-aea5-2ff3a1d5413b
Also linked to
All Downhill From Here by New Found Glory
|
7 | 3:10–3:17 | ||||||||||||||||||||||||||||||||||||||
|
Recordings linked to A
|
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| B | aae9c224-00dd-4494-8553-61af5d35b7f3 | 7 | 3:14–3:19 | ||||||||||||||||||||||||||||||||||||||
|
Recordings linked to B
|
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| C | 2bc3e9dc-dc5c-4b0e-85dd-d1281ba581c7 | 2 | 3:09–3:10 | ||||||||||||||||||||||||||||||||||||||
| D | 4016e4ba-e3f7-4036-bc95-dfaf1490beab | 2 | 3:12 | ||||||||||||||||||||||||||||||||||||||
| E | 7e7e2edb-0273-430d-aeb8-8165a57ef4ce | 2 | 3:22–3:28 | ||||||||||||||||||||||||||||||||||||||
| F | 158caad3-ef47-46d1-84c7-a7cb7de00896 | 2 | 3:19–3:20 | ||||||||||||||||||||||||||||||||||||||
| G | 1dc7fa8c-d02d-4e8b-9289-c60f7353424f | 1 | 3:10 | ||||||||||||||||||||||||||||||||||||||
| H | ad666d7a-5523-4d92-a86e-cb6b786dcc18 | 1 | 3:21 | ||||||||||||||||||||||||||||||||||||||
| I | 76cf3580-2120-4490-a903-00cade4c99e4 | 1 | 2:58 | ||||||||||||||||||||||||||||||||||||||
| J | c03eae70-8c0b-4f04-a984-aaef85f50680 | 1 | 3:18 | ||||||||||||||||||||||||||||||||||||||
| K |
ba1a1463-2114-43b6-bdac-ddb7a36c820d
Also linked to
Angels by Jessica Simpson, Our Lips Are Sealed by Hilary Duff & Haylie Duff
|
2 | 1:14 | ||||||||||||||||||||||||||||||||||||||
|
Recordings linked to K
|
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Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | I | J | K | |
|---|---|---|---|---|---|---|---|---|---|---|---|
| A | — | 0.00 | 0.72 | 0.00 | 0.87 | 0.89 | 0.00 | 0.00 | 0.80 | 0.00 | 0.00 |
| B | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| C | 0.72 | 0.00 | — | 0.00 | 0.74 | 0.75 | 0.00 | 0.00 | 0.81 | 0.00 | 0.00 |
| D | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| E | 0.87 | 0.00 | 0.74 | 0.00 | — | 0.97 | 0.00 | 0.00 | 0.80 | 0.00 | 0.00 |
| F | 0.89 | 0.00 | 0.75 | 0.00 | 0.97 | — | 0.00 | 0.00 | 0.80 | 0.00 | 0.00 |
| G | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 |
| H | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 |
| I | 0.80 | 0.00 | 0.81 | 0.00 | 0.80 | 0.80 | 0.00 | 0.00 | — | 0.00 | 0.00 |
| J | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 |
| K | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — |