MusicBrainz recording

I Don’t Live Today (live)

The Jimi Hendrix Experience 3:58
29c596b6-e2f2-4aeb-b847-1339ebbafbec View on MusicBrainz →
AcoustIDs
11
linked to this recording
Submissions
669
linking them to it
Fingerprints
60
distinct audio files
Duration
2:39–4:13
range of submitted files

AcoustIDs

Most submitted first, 3 disabled
Show 3 disabled links
AcoustID Most common fingerprint Fingerprints Length Sources
A 6f7de18a-7133-42b5-96dd-a89bc16d048d
Also linked to I Don’t Live Today by The Jimi Hendrix Experience, Stone Free by The Jimi Hendrix Experience and
6 3:57–3:58
448
B 3e5a5f46-7dce-4cd4-93fa-0430e6937eca
Also linked to I Don’t Live Today by The Jimi Hendrix Experience, I Don’t Live Today by Jimi Hendrix and
22 3:52–3:56
188
C 20c906a9-5f65-48ab-ad80-19c8237a4561
Also linked to I Don’t Live Today by The Jimi Hendrix Experience, I Don't Live Today by Jimi Hendrix and
5 3:55–3:56
17
D cfb937c5-0346-4fb7-a2f0-4ddfa4c3e319
Also linked to Highway Chile by The Jimi Hendrix Experience, Highway Chile by The Jimi Hendrix Experience and
3 3:35
5
E 4ae1b1ad-7c91-416f-9b99-39d6894dd16c
Also linked to I Don't Live Today (4) by The Jimi Hendrix Experience, I Don’t Live Today (S1062) by Jimi Hendrix
2 4:13
3
F fa3a032a-d269-4743-87a8-6a9ea6496cd3
Also linked to I Don’t Live Today by The Jimi Hendrix Experience, I Don't Live Today by The Jimi Hendrix Experience and
12 3:48–3:54
2
G b13dd356-5ffe-4e92-9102-bf060d6d871a 1 3:55
2
H 309e9e77-cb59-4fdc-876f-b05a5b19f488 1 3:58
1
I eefe4d2f-fe01-4a54-bd08-2ffaacb76743
Also linked to I Don't Live Today by Jimi Hendrix, I Don’t Live Today by The Jimi Hendrix Experience
4 3:54–3:55
1
J dc11a299-db0a-4088-a4bf-a0f7066ab99f
Also linked to I Don't Live Today (1) by The Jimi Hendrix Experience, I Don’t Live Today Take 1 (S1059) by Jimi Hendrix and
3 2:39–2:42
1
K ee16dccd-e323-4159-880a-b1305b30eeb9
Also linked to I Don't Live Today (5) by The Jimi Hendrix Experience
1 4:05
1

Are they the same audio?

Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.