open source audio identification
MusicBrainz recording
It’s Raining Men
Geri Halliwell
4:00
28d64dd7-eaf4-49be-9a27-ad987b77655b
View on MusicBrainz →
AcoustIDs
6
linked to this recording
Submissions
49
linking them to it
Fingerprints
42
distinct audio files
Duration
3:58–4:18
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
de4e5b73-8667-4108-add9-497a4f27e611
Also linked to
It’s Raining Men by Geri Halliwell, It’s Raining Men (radio edit: karaoke) by Geri Halliwell and
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7 | 3:58–4:05 | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to A
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| B |
03655139-4063-4707-896b-c92d40cbb447
Also linked to
It’s Raining Men by Geri Halliwell, It’s Raining Men by Geri Halliwell and
|
16 | 4:11–4:18 | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to B
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| C | 268c3bc5-cac8-4c9d-87df-2255e2c934b6 | 1 | 3:59 | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| D |
643021dd-77ff-4e7d-b8ad-186accf668a9
Also linked to
It’s Raining Men by Geri Halliwell, It's Raining Men by The Chorallaries of MIT and
|
4 | 4:05–4:06 | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to D
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| E |
fa6d66f2-7604-4dcb-8836-c3ce65cfbb31
Also linked to
It’s Raining Men by Geri Halliwell, It's Raining Man by Geri Halliwell and
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13 | 4:06–4:13 | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to E
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| F | ff6d9cc7-15da-40e2-abf3-0d4c20de5d28 | 1 | 3:59 | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.