MusicBrainz recording
Whatever You Want
Status Quo
3:49
28c0b047-9435-41ad-989c-e1ca049c916f
View on MusicBrainz →
AcoustIDs
6
linked to this recording
Submissions
1,062
linking them to it
Fingerprints
51
distinct audio files
Duration
3:37–3:56
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | ||||||||||||||||||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
a72f2882-c940-45ab-b62b-b0fe7afa7527
Also linked to
Whatever You Want by Status Quo, Whatever You Want by Status Quo and
|
19 | 3:48–3:54 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to A
|
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| B |
56d6f5ea-4893-4fbf-9663-2302516ef0c3
Also linked to
Whatever You Want by Status Quo, Whatever You Want by Status Quo and
|
9 | 3:44–3:50 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to B
|
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| C |
cf283651-31e9-4428-81b4-49cca472df5b
Also linked to
Pretty in Pink by The Dresden Dolls
|
4 | 3:37–3:43 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to C
|
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| D | db389dd1-ffcc-41d2-98cd-09a8912994b5 | 1 | 3:46 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
| E |
5f8ce8fa-4361-4e3e-8b2e-fc3717e484b2
Also linked to
Whatever You Want by Status Quo, Whatever You Want by Status Quo
|
4 | 3:50–3:56 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to E
|
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| F |
5a4f1be9-e4d8-4cd8-bd87-778ce30ef0e5
Also linked to
Whatever U Want (radio edit) by Christina Milian feat. Joe Budden, Whatever U Want by Christina Milian feat. Joe Budden and
|
14 | 3:44–3:51 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to F
|
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Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.