MusicBrainz recording
Easy Lover
Phil Collins
5:08
live, 1997-12-08/09: Palais Omnisports de Paris-Bercy, Paris, France
289a0462-ab91-4e69-b3ab-c59d78e37b8d
View on MusicBrainz →
AcoustIDs
11
linked to this recording
Submissions
207
linking them to it
Fingerprints
24
distinct audio files
Duration
4:18–6:12
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | |||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
5d064737-9a65-4b51-9eb6-8d5f5e09c46e
Also linked to
Easy Lover (live) by Phil Collins, Take Me Home (demo) by Phil Collins
|
6 | 5:03–5:07 | ||||||||||||||||||||||||||||
|
Recordings linked to A
|
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| B | dbd35550-67c3-4ebc-b5ed-145b6029ff24 | 2 | 5:08 | ||||||||||||||||||||||||||||
| C | 8d7cc64a-d973-4ad8-9ab7-f5a25e9e57e2 | 1 | 5:19 | ||||||||||||||||||||||||||||
| D |
ad9a4e90-0af9-4921-abba-bfa996c2d547
Also linked to
Easy Lover (live) by Phil Collins
|
2 | 5:05–5:06 | ||||||||||||||||||||||||||||
|
Recordings linked to D
|
|||||||||||||||||||||||||||||||
| E |
218ec462-716d-42ef-81f6-c7c1efebcefe
Also linked to
Easy Lover by Philip Bailey & Phil Collins, Easy Lover by Philip Bailey & Phil Collins and
|
4 | 5:00 | ||||||||||||||||||||||||||||
|
Recordings linked to E
|
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| F |
d90eab0f-ac17-40c9-a15f-e4b6f96ce641
Also linked to
Easy Lover (recorded live ’95) by Phil Collins, Easy Lover by Phil Collins feat. Nathan East & Arnold McCuller and
|
3 | 5:02 | ||||||||||||||||||||||||||||
|
Recordings linked to F
|
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| G | 1ffd587a-a707-4abc-9cae-46705a1a125c | 1 | 4:43 | ||||||||||||||||||||||||||||
| H | 9a8496b8-df4a-4cfb-b416-910bd1c63e12 | 1 | 5:48 | ||||||||||||||||||||||||||||
| I | c129010e-a46a-4de7-a3ca-a570f8b3bf3e | 2 | 4:34–4:41 | ||||||||||||||||||||||||||||
| J | e0088b81-9d25-47dd-b7f8-7c4f5a738138 | 1 | 4:18 | ||||||||||||||||||||||||||||
| K | ecdf6670-b93d-4838-b493-09dde511a0fd | 1 | 6:12 | ||||||||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | I | J | K | |
|---|---|---|---|---|---|---|---|---|---|---|---|
| A | — | 0.00 | 0.00 | 0.58 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.92 | 0.00 |
| B | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| C | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| D | 0.58 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.58 | 0.00 |
| E | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.75 | 0.70 | 0.00 | 0.00 |
| F | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| G | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 |
| H | 0.00 | 0.00 | 0.00 | 0.00 | 0.75 | 0.00 | 0.00 | — | 0.70 | 0.00 | 0.00 |
| I | 0.00 | 0.00 | 0.00 | 0.00 | 0.70 | 0.00 | 0.00 | 0.70 | — | 0.00 | 0.00 |
| J | 0.92 | 0.00 | 0.00 | 0.58 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 |
| K | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — |