open source audio identification
MusicBrainz recording
Whatever U Like
Nicole Scherzinger feat. T.I.
3:55
27501095-e9e2-4844-9660-00f9d7a8eea0
View on MusicBrainz →
AcoustIDs
5
linked to this recording
Submissions
99
linking them to it
Fingerprints
35
distinct audio files
Duration
3:51–4:00
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
776edf39-de98-4929-90cf-52344079ec8d
Also linked to
Whatever U Like (instrumental) by Nicole Scherzinger, Whatever U Like (clean) by Nicole Scherzinger feat. T.I. and
|
15 | 3:53–4:00 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to A
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| B |
f76f91e7-1103-4e85-bb86-3762e31bb9db
Also linked to
Whatever U Like (clean) by Nicole Scherzinger feat. T.I., Whatever U Like (instrumental) by Nicole Scherzinger and
|
11 | 3:51–3:54 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to B
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| C |
a49dcb5d-08ba-403b-8522-fd5d14eabb7e
Also linked to
Whatever U Like (a cappella) by Nicole Scherzinger feat. T.I., Whatever U Like (a cappella) by Nicole Scherzinger feat. T.I.
|
2 | 3:59–4:00 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to C
|
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| D | 98e2e301-3113-4102-a2e8-e52fde0f85aa | 1 | 3:54 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| E |
858da760-13b3-49c3-bad8-8164744885e2
Also linked to
Whatever U Like (instrumental) by Nicole Scherzinger, Whatever U Like (instrumental) by Nicole Scherzinger feat. T.I. and
|
6 | 3:54–3:55 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to E
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Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.