MusicBrainz recording
Morodish
Adam Freeland
5:53
272b0be6-e581-447f-99e0-386f5cde953b
View on MusicBrainz →
AcoustIDs
8
linked to this recording
Submissions
16
linking them to it
Fingerprints
24
distinct audio files
Duration
2:21–40:35
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | |||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
15573b26-a1bb-4098-a44e-fd75fee24aee
Also linked to
Mr. Saxo Beat (DJ Solovey Dub Remix) by Alexandra Stan
|
1 | 5:58 | ||||||||||||||||||||||||||||
|
Recordings linked to A
|
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| B |
2b571eba-7ed7-4282-8304-f1dd3d68fa8c
Also linked to
Jump (CJ Stone Mix) by Shaun Baker & Van Linden Feat. Gemeni
|
1 | 5:51 | ||||||||||||||||||||||||||||
|
Recordings linked to B
|
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| C |
4c99dde5-6a6a-4644-bd0a-66af8336e068
Also linked to
(I’ll Never Be) Maria Magdalena by Sandra
|
2 | 6:02–6:04 | ||||||||||||||||||||||||||||
|
Recordings linked to C
|
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| D |
9f761dcb-4319-453e-b205-82d8d3746e85
Also linked to
Вся моя любовь by t.A.T.u.
|
1 | 5:48 | ||||||||||||||||||||||||||||
|
Recordings linked to D
|
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| E |
bd6faaaf-fc1f-4b50-816b-c51aa4e13775
Also linked to
Høkerstfeest by Normaal, Hokerstfeest by Normaal and
|
4 | 4:23–4:27 | ||||||||||||||||||||||||||||
|
Recordings linked to E
|
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| F | 1b0eb62f-1829-4a52-9db1-42c752f3fef5 | 3 | 40:35 | ||||||||||||||||||||||||||||
| G |
f35b8bb0-13c3-453f-89e5-2eb48999211a
Also linked to
Goodbye to You by Michelle Branch
|
1 | 2:21 | ||||||||||||||||||||||||||||
|
Recordings linked to G
|
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| H |
cb49e2b2-d792-44da-aa9e-d32e4e5ac260
Also linked to
Jack Your Body by Steve “Silk” Hurley
|
11 | 3:14–3:18 | ||||||||||||||||||||||||||||
|
Recordings linked to H
|
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Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | |
|---|---|---|---|---|---|---|---|---|
| A | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| B | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| C | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| D | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 |
| E | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 |
| F | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 |
| G | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 |
| H | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — |