open source audio identification
MusicBrainz recording
Good Rockin’ Mama
John Lee Hooker
2:29
265f25ea-1cde-4b8b-a572-e31bc93b1642
View on MusicBrainz →
AcoustIDs
10
linked to this recording
Submissions
361
linking them to it
Fingerprints
48
distinct audio files
Duration
2:25–2:55
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | ||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A | d94a63d5-163d-4571-9ccb-58934791bc93 | 4 | 2:33–2:35 | |||||||||||||||||||||||
| B |
d1b37a8a-d7c4-4a5c-869e-dcf47e2b193e
Also linked to
Good Rockin' Mama by John Lee Hooker, Good Rockin' Mama by John Lee Hooker
|
19 | 2:25–2:30 | |||||||||||||||||||||||
|
Recordings linked to B
|
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| C |
e1113719-3fbb-47a3-bee9-6e4c08f45bb6
Also linked to
Good Rockin’ Mama by John Lee Hooker, Good Rocking Mama by John Lee Hooker and
|
6 | 2:28–2:30 | |||||||||||||||||||||||
|
Recordings linked to C
|
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| D |
99b2cf9d-7380-47f2-93ed-4876f9680959
Also linked to
Good Rockin’ Mama by John Lee Hooker, Good Rockin' Mama by John Lee Hooker and
|
4 | 2:27–2:29 | |||||||||||||||||||||||
|
Recordings linked to D
|
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| E | 6a646687-26cf-45ba-bdd8-ee4df2f1590a | 5 | 2:25–2:28 | |||||||||||||||||||||||
| F |
b93b1b44-99d8-42c5-991e-574bd6ff4931
Also linked to
Good Rocking Mama by John Lee Hooker, Good Rockin’ Mama by John Lee Hooker
|
2 | 2:29–2:30 | |||||||||||||||||||||||
|
Recordings linked to F
|
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| G |
c25ae0a2-dcc4-4a1e-981c-e1617f794d46
Also linked to
Boom Boom by John Lee Hooker
|
2 | 2:54–2:55 | |||||||||||||||||||||||
|
Recordings linked to G
|
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| H | c9b4e94b-0890-409f-b172-6411c6b7a27b | 1 | 2:48 | |||||||||||||||||||||||
| I |
837f908d-0541-4753-8271-b3c3507c54c7
Also linked to
Good Rockin' Mama by John Lee Hooker, Good Rockin' Mama by John Lee Hooker
|
4 | 2:26–2:28 | |||||||||||||||||||||||
|
Recordings linked to I
|
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| J | 9334f090-0efb-4e30-a856-3153b0d7b08f | 1 | 2:28 | |||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | I | J | |
|---|---|---|---|---|---|---|---|---|---|---|
| A | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| B | 0.00 | — | 0.58 | 0.45 | 0.00 | 0.00 | 0.00 | 0.48 | 0.00 | 0.09 |
| C | 0.00 | 0.58 | — | 0.32 | 0.00 | 0.00 | 0.00 | 0.77 | 0.00 | 0.13 |
| D | 0.00 | 0.45 | 0.32 | — | 0.00 | 0.00 | 0.00 | 0.39 | 0.00 | 0.00 |
| E | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.34 | 0.00 |
| F | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 |
| G | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 |
| H | 0.00 | 0.48 | 0.77 | 0.39 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.11 |
| I | 0.00 | 0.00 | 0.00 | 0.00 | 0.34 | 0.00 | 0.00 | 0.00 | — | 0.00 |
| J | 0.00 | 0.09 | 0.13 | 0.00 | 0.00 | 0.00 | 0.00 | 0.11 | 0.00 | — |