MusicBrainz recording

Wooly Bully

Sam the Sham & the Pharaohs 2:18
25a60df6-a035-41c2-b969-afe816c6b2e8 View on MusicBrainz →
AcoustIDs
10
linked to this recording
Submissions
98
linking them to it
Fingerprints
269
distinct audio files
Duration
2:17–2:26
range of submitted files

AcoustIDs

Most submitted first
AcoustID Most common fingerprint Fingerprints Length Sources
A 9147a153-9c77-43a7-b204-0dd20b59abf9
Also linked to Wooly Bully by Sam the Sham & the Pharaohs, Wooly Bully by Sam the Sham and the Pharaohs and
4 2:18–2:21
28
B 3f0342b7-b6c5-40f6-898c-8f93cb3f4769
Also linked to Wooly Bully by Sam the Sham & the Pharaohs, Wooly Bully by Sam the Sham & the Pharaohs and
56 2:19–2:26
26
C 69ebb0dc-ae69-4836-8529-f651d348825d
Also linked to Wooly Bully by Sam the Sham & the Pharaohs, Wooly Bully by Sam the Sham & the Pharaohs and
32 2:17–2:23
14
D b0c3aae9-d93f-4dc4-b992-ab9f8c4fe122
Also linked to Wooly Bully by Sam the Sham & the Pharaohs, Woolly Bully by Sam the Sham & the Pharaohs and
67 2:17–2:23
9
E 7507bd36-3526-43a1-b0e9-60647bc5ce5f
Also linked to Wooly Bully by Sam the Sham & the Pharaohs, Wooly Bully by Sam the Sham and the Pharaohs and
10 2:18–2:21
6
F 4c63c763-95a3-40dc-884b-b5d8562eb409
Also linked to Wooly Bully by Sam the Sham & the Pharaohs, Wooly Bully by Sam the Sham & the Pharaohs and
28 2:19–2:24
5
G b087753d-f34e-4a27-84cf-0c1200c738e4
Also linked to Wooly Bully by Sam the Sham & the Pharaohs, Wooly Bully by Sam the Sham & the Pharaohs and
5 2:18–2:22
4
H a5fd1be9-dcb8-41e9-a9fb-9f3a15f4f652
Also linked to Wooly Bully by Sam the Sham & the Pharaohs, Wooly Bully by Sam the Sham & the Pharaohs and
3 2:25–2:26
3
I f938d81f-7b08-43d7-9d91-80df5c11d30b
Also linked to Wooly Bully by Sam the Sham & the Pharaohs, Wooly Bully by Sam the Sham & the Pharaohs and
33 2:20–2:25
2
J 26663d3b-d456-464f-a67e-08c4d89e20eb
Also linked to Wooly Bully by Sam the Sham & the Pharaohs, Wooly Bully by Sam the Sham & the Pharaohs and
31 2:20–2:26
1

Are they the same audio?

Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.