open source audio identification
MusicBrainz recording
Cinderella
Britney Spears
3:39
237ee805-0293-44da-a09a-a87802464d6e
View on MusicBrainz →
AcoustIDs
8
linked to this recording
Submissions
1,250
linking them to it
Fingerprints
155
distinct audio files
Duration
3:37–3:51
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A | 9d6e1de0-eb15-4ccd-9d3a-0dcb6e1ce9b5 | 31 | 3:37–3:41 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| B | 3c09d197-0f10-4873-b674-03a062ee1899 | 1 | 3:39 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| C |
2db2e87e-9659-409b-8520-949ead954eff
Also linked to
Radar by Britney Spears, Radar (instrumental) by Britney Spears and
|
6 | 3:39–3:46 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to C
|
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| D | 31c72288-91bd-4372-ad35-f68a5766b277 | 2 | 3:44 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| E |
2dc126ca-698e-4978-8cf9-a12fcb9cb92c
Also linked to
Womanizer by Britney Spears, Womanizer (instrumental) by Britney Spears and
|
102 | 3:39–3:46 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to E
|
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| F | 104ce1bd-9116-4426-bfcd-10ac354019e8 | 1 | 3:39 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| G |
c89a7953-3705-481b-807a-9e62971952f0
Also linked to
Hold It Against Me by Britney Spears, Hold It Against Me (instrumental) by Britney Spears and
|
11 | 3:46–3:51 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to G
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| H | fb4c862e-b8a6-4821-8a1f-fbfb97b2bcbf | 1 | 3:37 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | |
|---|---|---|---|---|---|---|---|---|
| A | — | 0.66 | 0.00 | 0.00 | 0.00 | 0.51 | 0.00 | 0.00 |
| B | 0.66 | — | 0.00 | 0.00 | 0.00 | 0.60 | 0.00 | 0.00 |
| C | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| D | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 |
| E | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 |
| F | 0.51 | 0.60 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 |
| G | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 |
| H | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — |