MusicBrainz recording
That’s Alright Mama
Elvis Presley
234f8307-4ab4-4bc2-8295-06a3359dbd5f
View on MusicBrainz →
AcoustIDs
7
linked to this recording
Submissions
14
linking them to it
Fingerprints
40
distinct audio files
Duration
1:47–2:59
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | |||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
26c4333c-8a30-4cc8-9d32-fd8017d0f6bb
Also linked to
That’s Alright Mama by Elvis Presley, That's Alright Mama by Elvis Presley and
|
6 | 2:35–2:40 | ||||||||||||||||||||||||||||||||||||||
|
Recordings linked to A
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| B |
328b1a5b-db6c-474a-b2ed-563f80b638fc
Also linked to
That’s Alright Mama by Elvis Presley, That’s All Right by Elvis Presley
|
4 | 2:30–2:33 | ||||||||||||||||||||||||||||||||||||||
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Recordings linked to B
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| C |
a1d81862-1653-4648-a4c1-717e11d3e007
Also linked to
That’s Alright Mama by Elvis Presley, That’s Alright Mama (live) by Elvis Presley feat. Scotty & Bill and
|
7 | 2:34–2:41 | ||||||||||||||||||||||||||||||||||||||
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Recordings linked to C
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| D |
b3afa883-dc94-4d5f-8943-54d8a67bad65
Also linked to
That’s All Right Mama by Elvis Presley
|
3 | 2:16–2:17 | ||||||||||||||||||||||||||||||||||||||
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Recordings linked to D
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| E |
0a10a316-5138-4e42-bd0a-84dc8393d5e4
Also linked to
That’s Alright Mama by Elvis Presley, That’s All Right by Elvis Presley
|
5 | 1:52 | ||||||||||||||||||||||||||||||||||||||
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Recordings linked to E
|
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| F |
db270ea8-1524-4d3b-9e8a-31f613552d30
Also linked to
That’s All Right by Elvis Presley
|
3 | 2:53–2:59 | ||||||||||||||||||||||||||||||||||||||
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Recordings linked to F
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| G |
d6c9bfac-b720-4ce0-ba87-39efded6ab16
Also linked to
That’s All Right Mama by Elvis Presley, That’s All Right Mama by Elvis Presley and
|
12 | 1:47–1:52 | ||||||||||||||||||||||||||||||||||||||
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Recordings linked to G
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Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.