MusicBrainz recording
Jumpin' at the Woodside
Count Basie
3:02
22d7122f-40b0-4b55-bb25-4cd1a135a6ea
View on MusicBrainz →
AcoustIDs
6
linked to this recording
Submissions
12
linking them to it
Fingerprints
80
distinct audio files
Duration
2:51–3:09
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | ||||||||||||||||||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
ef1ded64-da4b-4be2-a5d0-0d4094e01db4
Also linked to
Doggin Around by Count Basie & His Orchestra
|
3 | 2:58–3:02 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to A
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| B |
27440f0c-61a7-405b-836d-41943417c203
Also linked to
Jumpin' at the Woodside by Count Basie, Jumpin' at the Woodside by Count Basie and
|
30 | 3:01–3:06 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to B
|
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| C |
84f54f0b-0c78-47c1-8716-d025b03d6108
Also linked to
Jumpin' at the Woodside by Count Basie & Oscar Peterson, Jumpin’ at the Woodside by Count Basie & Oscar Peterson
|
7 | 2:51–2:54 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to C
|
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| D |
b4e24e5d-9bb6-4b32-bf5b-a7dd3fdba47d
Also linked to
Jumpin’ at the Woodside by Tony Bennett, Jumpin’ at the Woodside by Count Basie and Tony Bennett and
|
17 | 3:00–3:04 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to D
|
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| E | c834976f-ad6a-4bff-9d3d-b8c4d256b392 | 1 | 3:05 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
| F |
f0a923c5-c751-4e1e-89ea-efa2ecc51c7d
Also linked to
Jumpin' at the Woodside by Count Basie & His Orchestra, Jumpin' at the Woodside by Count Basie & His Orchestra and
|
22 | 3:03–3:09 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to F
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Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.