open source audio identification
MusicBrainz recording
Bigger Than Life
Lil Uzi Vert
3:13
2293f5d2-fc7d-4017-b00c-9edf9769260f
View on MusicBrainz →
AcoustIDs
6
linked to this recording
Submissions
135
linking them to it
Fingerprints
94
distinct audio files
Duration
3:06–3:20
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | ||||||||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A | 3f5fdd18-4b7f-4312-ac3e-d3b25e6047ed | 2 | 3:12–3:13 | |||||||||||||||||||||||||||||||||||||||||||
| B |
48965b61-dd26-41a8-9974-f21174fd21d3
Also linked to
Stage Dive by Whiplash
|
7 | 3:06–3:09 | |||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to B
|
||||||||||||||||||||||||||||||||||||||||||||||
| C |
0972ea47-9b37-4100-9392-e9ffce7e61bc
Also linked to
Live Wire by Mötley Crüe, Shout at the Devil by Mötley Crüe
|
13 | 3:10–3:16 | |||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to C
|
||||||||||||||||||||||||||||||||||||||||||||||
| D |
16107fb2-239d-47a4-848e-b1c8cc6e38f5
Also linked to
Sure Thing by Miguel, That I Do (FTRMX) by Miguel
|
7 | 3:14–3:19 | |||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to D
|
||||||||||||||||||||||||||||||||||||||||||||||
| E | ed872540-ff83-4bf7-94ff-abe80e836a83 | 5 | 3:15–3:19 | |||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to E
|
||||||||||||||||||||||||||||||||||||||||||||||
| F |
ce116913-8356-4c11-9584-964ba87e6211
Also linked to
Lovefool by The Cardigans, Lovefool (Tee’s club radio mix) by The Cardigans and
|
60 | 3:13–3:20 | |||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to F
|
||||||||||||||||||||||||||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.