open source audio identification
MusicBrainz recording
Come What May
Air Supply
3:59
227d74a5-7789-40fa-bffe-4c36929622f3
View on MusicBrainz →
AcoustIDs
11
linked to this recording
Submissions
407
linking them to it
Fingerprints
43
distinct audio files
Duration
1:35–7:06
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | ||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
8ba6a1a3-7ad6-4c68-a043-1113383640a8
Also linked to
Take It Easy on Me by Little River Band, Even the Nights Are Better by Air Supply
|
11 | 3:59–4:04 | |||||||||||||||||||||||
|
Recordings linked to A
|
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| B | 8a7e3b67-8bb5-4fab-b1d1-1f5126893f3d | 1 | 4:00 | |||||||||||||||||||||||
| C |
3958fad8-5060-484a-b1bd-58f1d36e5fbd
Also linked to
Come What May by Mimi Page
|
5 | 3:58–4:01 | |||||||||||||||||||||||
|
Recordings linked to C
|
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| D | f6ed9231-06e6-46ad-be49-8e715b98c54b | 2 | 3:54–3:55 | |||||||||||||||||||||||
| E | 7ce48434-c413-4997-b748-990becd23e12 | 1 | 4:01 | |||||||||||||||||||||||
| F | 145d67eb-b7da-4f00-a3d2-f8840b7bfa54 | 1 | 3:59 | |||||||||||||||||||||||
| G |
136e44bf-6c22-44bd-8615-095171154f87
Also linked to
Happy Anniversary by Little River Band, Happy Anniversary by Little River Band
|
8 | 3:59–4:06 | |||||||||||||||||||||||
|
Recordings linked to G
|
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| H |
559d3eb9-7d25-4248-809a-2f22e47cbe44
Also linked to
Help Is on Its Way by Little River Band, Help Is on Its Way by Little River Band and
|
10 | 3:54–3:57 | |||||||||||||||||||||||
|
Recordings linked to H
|
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| I | b3d77e16-8937-4f74-a9f7-ec3d8c32cd9e | 1 | 7:06 | |||||||||||||||||||||||
| J |
17cd0ffd-e35b-49e8-bd70-c8b3ce1b0ba0
Also linked to
Come What May by Air Supply
|
2 | 4:09–4:13 | |||||||||||||||||||||||
|
Recordings linked to J
|
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| K | e1656621-b878-4a82-a56c-f1c0773902a4 | 1 | 1:35 | |||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | I | J | K | |
|---|---|---|---|---|---|---|---|---|---|---|---|
| A | — | 0.60 | 0.00 | 0.78 | 0.00 | 0.62 | 0.00 | 0.00 | 0.81 | 0.91 | 0.88 |
| B | 0.60 | — | 0.00 | 0.54 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.57 | 0.00 |
| C | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| D | 0.78 | 0.54 | 0.00 | — | 0.00 | 0.61 | 0.00 | 0.00 | 0.76 | 0.76 | 0.75 |
| E | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| F | 0.62 | 0.00 | 0.00 | 0.61 | 0.00 | — | 0.00 | 0.00 | 0.68 | 0.59 | 0.61 |
| G | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 |
| H | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 |
| I | 0.81 | 0.00 | 0.00 | 0.76 | 0.00 | 0.68 | 0.00 | 0.00 | — | 0.80 | 0.84 |
| J | 0.91 | 0.57 | 0.00 | 0.76 | 0.00 | 0.59 | 0.00 | 0.00 | 0.80 | — | 0.92 |
| K | 0.88 | 0.00 | 0.00 | 0.75 | 0.00 | 0.61 | 0.00 | 0.00 | 0.84 | 0.92 | — |